Summary

Portrait of Mrs. Oliphant Mrs. Oliphant,  A Beleaguered City — Chapter 10 (1880)

“ When the Sacrament was replaced upon the altar, M. le Curé, perceiving our meaning, began at once in his noble voice to intone the Te Deum. Rejecting all other music, he adopted the plain song in which all could join, and with one voice, every man in unison with his brother, we sang with him. The great Cathedral walls seemed to throb with the sound that rolled upward, mâle and deep, as no song has ever risen from Semur in the memory of man. The women stood up around us, and wept and sobbed with pride and joy. ”
Source: Wikisource

Portrait of Mrs. Oliphant Mrs. Oliphant,  A Beleaguered City — Chapter 10 (1880)

“ Thus we made such a procession as had never been seen in Semur. We were gaunt and worn with watching and anxiety, which only added to the solemn effect. Those who were already in the Cathedral, and especially M. le Curé, informed me afterwards that the tramp of our male feet as we came up the great steps gave to all a thrill of expectation and awe. It was at the moment of the exposition of the Sacrament that we entered. Instinctively, in a moment, all understood—a thing which could happen nowhere but in France, where intelligence is swift as the breath on our lips. ”
Source: Wikisource

Portrait of Mrs. Oliphant Mrs. Oliphant,  A Beleaguered City — Chapter 10 (1880)

“ My wife does not question, she believes much; and in respect to that which she cannot acquiesce in, she is silent. 'There are many things I hear you talk of, Martin, which are strange to me,' she says, 'of myself I cannot believe in them; but I do not oppose, since it is possible you may have reason to know better than I; and so with some things that we hear from M. le Curé.' This is how she explains herself—but she is a woman. It is a matter of grace to yield to our better judgment. ”
Source: Wikisource

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