Summary

Portrait of Mrs. Oliphant Mrs. Oliphant The Rector; and, The Doctor's Family… (1863)

The doctor knew as well as Nettie did that he could not bear it. He knew even, as perhaps Nettie did not know, that her own image would suffer from the association; and that a man so faulty and imperfect as himself could not long refrain from resenting upon his wife the dismal restraints of such a burden. With a self-disgust which was most cutting of all, Edward Rider felt that he should descend to that injustice; and that not even Nettie herself would be safe against the effusions of his impatience and indignation.
Source: Wikisource

Portrait of Mrs. Oliphant Mrs. Oliphant The Rector; and, The Doctor's Family… (1863)

Long before this sobbing speech was concluded, Dr Rider had risen to his feet, and was pacing through the little room with hasty steps of disgust and rage, and an agitation which overwhelmed all his attempts to master it; while Nettie sat supporting her head in her hands, pressing her fingers upon her hot eyes, beholding that fair impossible vision break and disappear from before her. Nettie's heart groaned within her, and beat against the delicate bosom which, in its tender weakness, was mighty as a giant's.
Source: Wikisource

Portrait of Mrs. Oliphant Mrs. Oliphant The Rector; and, The Doctor's Family… (1863)

What is to become of us? Have you sold yourself to this fate?"
Nettie laid down the little black frock out of her laborious hands. "You have been up all night, Dr Edward," she said, with a certain tenderness, looking at his agitated face; "you are tired out and sick at the heart. I know it makes you say things you would not say; but after all, you know, except poor Fred, whom none of you think of, everything is the very same. I cannot make it different—nothing can make it different. There is Susan plain enough to be seen—and there are the children.
Source: Wikisource

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