Summary

Portrait of Mrs. Oliphant Mrs. Oliphant The Story of Valentine and His Brother

Mary had perceived that Violet gave a quick look for the other figure which generally followed, and that there was a droop of disappointment about her, when she perceived that her visitor was alone. “I wish she would not spoil that boy so. He is not a bad boy——”
“Is it possible you can mean Val?” said Violet, with dignity, erecting her small head.
“Yes, indeed, my dear, it is quite possible; I do mean Val. He is a good boy enough, if you would not all spoil him with adulation—as if he were something quite extraordinary, and no one had ever seen his like before.”
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant The Story of Valentine and His Brother

But there was no note, and Val consoled himself, in that delicious sense of the poetic elevation of being in love which is so sweet to girls and boys, with thinking that his Violet was so much the centre of his thoughts as to throw her sweet shadow upon everything. Few people fully estimate the happiness of a young lover, even when separated from the beloved object, in being able to make such delightful reflections. Val dressed and came down-stairs, all unconscious of what it was which had made the rain beat in upon the carpet in the drawing-room.
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant The Story of Valentine and His Brother

Instead of Richard Ross, we have nothing but a fond old man who has adopted an ingratiating boy. Lord Eskside has a right to adopt whom he pleases; but he has no right to set up some base-born pretender—some chance child thrown on his bounty—as the heir of his honours and the representative of his family. Will you send to Parliament, as a Ross of Eskside, an old man’s pet and pensioner, a supposititious heir? or will you not rather demand a searching inquiry into a history so mysterious, before you strengthen, by your election of him, the pretended rights of an impostor?
Source: Gutenberg

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