Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/Passages from a Relinquished Work (1854)

The orchestra of our little theatre consisted of two fiddles and a clarinet; but, if the whole harmony of the Tremont had been there, it might have swelled in vain beneath the tumult of applause that greeted me. The good people of the town, knowing that the world contained innumerable persons of celebrity undreamed of by them, took it for granted that I was one, and that their roar of welcome was but a feeble echo of those which had thundered around me in lofty theatres.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/Passages from a Relinquished Work (1854)

Perhaps it was my chief misfortune that I had neither father nor mother alive; for parents have an instinctive sagacity in regard to the welfare of their children, and the child feels a confidence both in the wisdom and affection of his parents which he cannot transfer to any delegate of their duties, however conscientious. An orphan's fate is hard, be he rich or poor. As for Parson Thumpcushion, whenever I see the old gentleman in my dreams he looks kindly and sorrowfully at me, holding out his hand as if each had something to forgive.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/Passages from a Relinquished Work (1854)

On my return to the tavern the tragedy was already concluded; and, being a feeble one in itself and indifferently performed, it left so much the better chance for the Story-Teller. The bar was thronged with customers, the toddy-stick keeping a continual tattoo; while in the hall there was a broad, deep, buzzing sound, with an occasional peal of impatient thunder,--all symptoms of all overflowing house and an eager audience. I drank a glass of wine-and-water, and stood at the side scene conversing with a young person of doubtful sex.
Source: Wikisource

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