Charles Kingsley

Charles Kingsley

Hypatia/22 (1853)

Summary

Portrait of Charles Kingsley Charles Kingsley,  Hypatia/22 (1853)

“ But there was no response.
'The rose is still in the bud,' simpered Orestes to Hypatia. He rose, beckoned and bowed the crowd into silence; and then, after a short pantomimic exhibition of rapturous gratitude and humility, pointed triumphantly to the palm avenue, among the shadows of which appeared the wonder of the day—the huge tusks and trunk of the white elephant himself.
There it was at last! Not a doubt of it! A real elephant, and yet as white as snow. Sight never seen before in Alexandria—never to be seen again!
”
Source: Wikisource

Portrait of Charles Kingsley Charles Kingsley,  Hypatia/22 (1853)

“ The artist was for the moment transformed into the goddess. The theatre, and Alexandria, and the gorgeous pageant beyond, had vanished from her imagination, and therefore from the imagination of the spectators, under the constraining inspiration of her art, and they and she alike saw nothing but the lonely sea around Cytherea, and the goddess hovering above its emerald mirror, raying forth on sea, and air, and shore, beauty, and joy, and love. . . .
Philammon's eyes were bursting from his head with shame and horror: and yet he could not hate her; not even despise her.
”
Source: Wikisource

Portrait of Charles Kingsley Charles Kingsley,  Hypatia/22 (1853)

“ For a moment all Orestes's spells seemed broken by this unexpected catastrophe. A cloud, whether of disgust or of disappointment, hung upon every brow. More than one Christian rose hastily to depart, touched with real remorse and shame at the horrors of which they had been the willing witnesses. The common people behind, having glutted their curiosity with all that there was to see, began openly to murmur at the cruelty and heathenry of it. Hypatia, utterly unnerved, hid her face in both her hands. Orestes alone rose with the crisis. ”
Source: Wikisource

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