Helen Zimmern,
Sir Lawrence Alma Tadema
(1902)
“ The spectator who misses the allusions, the meaning of his subject-pictures, nevertheless finds matter for full and intense enjoyment as he contemplates the lovely fabrics, the cool half-shades, the clear sunlight, the exquisite flowers, the heat-saturated sea and sky, the marbles and the bric-à-brac that appear on almost every canvas, and are painted with a skill, a consummate science that captivates the connoisseur, and with a reality that delights the uninstructed crowd. ”
