“ Nature admits him as a partaker of her sports, and asks his approbation as it were of her own works and variety. He comes not in company, because he would not be solitary, but finds discourse enough with himself, and his own thoughts are his excellent playfellows. He looks not upon a thing as a yawning stranger at novelties, but his search is more mysterious and inward, and he spells heaven out of earth. He knits his observations together, and makes a ladder of them all to climb to God. He is free from vice, because he has no occasion to imploy it, and is above those ends that make man wicked. ”
John Earle
Summary
John Earle’s Microcosmography (1628), a compilation of character sketches and reflections, examines human nature through wit, irony, and keen social insight. Penned during the early modern period, it analyzes virtues, flaws, and the intricacies of communication, frequently portraying individuals as reflections of broader societal patterns. Earle’s writing combines humor with ethical contemplation, scrutinizing figures from academics to ordinary people, while exposing pretense and the performative aspects of identity.
The book’s organization—echoing Elizabethan miscellanies—presents a rich portrait of 17th-century England, where intellect and moral failings coexist, and where every figure, from the “scholar” to the “gentlewoman,” serves as a window into the age’s paradoxes. Its lasting significance stems from its perceptive depiction of humanity’s ongoing tension between self-awareness and social expectation.
Quotes from Microcosmography (John Earle)
“ The ordinary use of acquaintance is but somewhat a more boldness of society, a sharing of talk, news, drink, mirth together; but sorrow is the right of a friend, as a thing nearer our heart, and to be delivered with it. Nothing easier than to create acquaintance, the mere being in company once does it; whereas friendship, like children, is ingendered by a more inward mixture, and coupling together; when we are acquainted not with their virtues only, but their faults, their passions, their fears, their shame,—and are bold on both sides to make their discovery. ”
“ He knows the right use of the world, wherein he comes to play a part and so away. His life is not idle, for it is all action, and no man need be more wary in his doings, for the eyes of all men are upon him. His profession has in it a kind of contradiction, for none is more disliked, and yet none more applauded; and he has the misfortune of some scholar, too much wit makes him a fool. He is like our painting gentlewomen, seldom in his own face, seldomer in his cloaths ”
