William Archer

Biographical details

Portrait of William Archer William Archer,  America To-day, Observations and Reflections

“ You will often see the vista of a gorge-like street so choked with a seeming thundercloud that you feel sure a storm is just about to burst upon the city, until you look up at the zenith and find it smiling and serene. Again and again a sudden swirl of smoke across the street (like that which swept across Fifth-avenue when the Windsor Hotel burst into flames) has led me to prick up my ears for a cry of "Fire!" But Chicago is not so easily alarmed. It is accustomed to having its airs from heaven blurred by these blasts from hell. ”
Source: Gutenberg

Portrait of William Archer William Archer,  The Green Goddess

“ And never before had the courtyard ground run red with white blood.
To-day was the supreme day of Rukh’s history. Not a man there, not a little child, not a woman giving suck as they waited, but thanked the gods for having been born, and having lived to see it.
To see the white man die, when the blood-red of the sunset came! They ached for that. And most of all they longed to see the Feringhi woman slaughtered, and her head laid at the feet of their Goddess. Not one here had ever seen a white woman die, not even the ancient few who had trapped and disemboweled human prey near the Khyber.
”
Source: Gutenberg

Portrait of William Archer William Archer,  Play-Making: A Manual of Craftsmanship

“ Our seat in the theatre is like a throne on the Epicurean Olympus, whence we can view with perfect intelligence, but without participation or responsibility, the intricate reactions of human destiny. And this sense of superiority does not pall upon us. When Othello comes on the scene, radiant and confident in Desdemona's love, our knowledge of the fate awaiting him makes him a hundred times more interesting than could any mere curiosity as to what was about to happen. ”
Source: Gutenberg

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