Summary

Portrait of William Archer William Archer America To-day, Observations and Reflections

To people of culture, the bond of literature is a very strong one; but the class of which I am speaking is not composed of people of culture. They read, it is true, and often greedily; but generally, I think, without knowing or greatly caring whether a book is English or American, and at all events with no such clear perception of the distinctive qualities of English work as could beget in them any imaginative realisation of, or affection for, England. Let us make no mistake—in the broad mass of the American people no such affection exists.
Source: Gutenberg

Portrait of William Archer William Archer America To-day, Observations and Reflections

The other night, at a restaurant, I sat at the next table to Mr. Edison, and could not but look with interest and admiration at his furrowed, anxious, typically American and truly beautiful face. Here, if you like, was an example of nervous overstrain; but the soft and yet brilliant light of the restaurant was in itself a sufficient reminder that the overstrain had not been incurred for nothing. Electricity is the true "white magic" of the future; and here, with his pallid face and silver hair, sat the master magician—one of the great light-givers of the world.
Source: Gutenberg

Portrait of William Archer William Archer America To-day, Observations and Reflections

You will often see the vista of a gorge-like street so choked with a seeming thundercloud that you feel sure a storm is just about to burst upon the city, until you look up at the zenith and find it smiling and serene. Again and again a sudden swirl of smoke across the street (like that which swept across Fifth-avenue when the Windsor Hotel burst into flames) has led me to prick up my ears for a cry of "Fire!" But Chicago is not so easily alarmed. It is accustomed to having its airs from heaven blurred by these blasts from hell.
Source: Gutenberg

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