Henry Louis Mencken

Henry Louis Mencken

Summary

Portrait of Henry Louis Mencken Henry Louis Mencken The American Language (1919)

A new fallacy in politics spreads faster in the United States than anywhere else on earth, and so does a new fashion in hats, or a new revelation of God, or a new means of killing time, or a new metaphor or piece of slang.
Thus the American, on his linguistic side, likes to make his language as he goes along, and not all the hard work of his grammar teachers can hold the business back. A novelty loses nothing by the fact that it is a novelty; it rather gains something, and particularly if it meet the national fancy for the terse, the vivid, and, above all, the bold and imaginative.
Source: Wikisource

Portrait of Henry Louis Mencken Henry Louis Mencken The American Language (1919)

The American, even in the early eighteenth century, already showed many of the characteristics that were to set him off from the Englishman later on—his bold and somewhat grotesque imagination, his contempt for authority, his lack of aesthetic sensitiveness, his extravagant humor. Among the first colonists there were many men of education, culture and gentle birth, but they were soon swamped by hordes of the ignorant and illiterate, and the latter, cut off from the corrective influence of books, soon laid their hands upon the language.
Source: Wikisource

Portrait of Henry Louis Mencken Henry Louis Mencken The American Language (1919)

America began to stand for something quite new in the world in government, in law, in public and private morals, in customs and habits of mind, in the minutia of social intercourse. And simultaneously the voice of America began to take on its characteristic twang, and the speech of America began to differentiate itself boldly and unmistakably from the speech of England.
Source: Wikisource

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