Brander Matthews,
Parts of Speech: Essays on English
(1901)
“ In a language as unrhythmic as the French, rime is far more important than it need be in a lilting and musical tongue like our own; but in the masterpieces of the English lyrists, as in those of the French, rime plays along the edges of a poem, ever creating the expectation it swiftly satisfies and giving most pleasure when its presence is felt and not flaunted. Like the dress of the well-bred woman, which sets off her beauty without attracting attention to itself, rime must be adequate and unobtrusive, neither too fine nor too shabby, but always in perfect taste. ”
