“ The opening and closing of doors are the most significant actions of man's life. What a mystery lies in doors!No man knows what awaits him when he opens a door. Even the most familiar room, where the clock ticks and the hearth glows red at dusk, may harbor surprises. ”
Opening
Definition and stakes
The concept of "opening" denotes the moment an institution begins functioning, yet it goes beyond literal thresholds to symbolize transitions, opportunities, and revelations. Authors like Charles Dickens evoke it through physical spaces, as in Oliver Twist, where a door opens to a room of hidden possibilities.
Annie Besant, meanwhile, frames it as a metaphor for societal progress, envisioning gateways expanding for collective advancement. Christopher Morley highlights its enigma, while Maimonides connects it to spiritual awakening. These varied perspectives underscore how "opening" bridges the concrete and the symbolic, reflecting both structural beginnings and existential passages.
Quotes about “opening”
Georg Ebers,
An Egyptian Princess — Volume 10
“ At the sound of approaching steps, the opening of a door or the unexpected tones of a man's voice, she would start, get up and listen, and then sink back into the old waiting, longing attitude, disappointed but not hopeless. ”
Charles Dickens,
Oliver Twist
(1838)
“ After musing for some minutes, the old gentleman walked, with the same meditative face, into a back anteroom opening from the yard; and there, retiring into a corner, called up before his mind's eye a vast amphitheatre of faces over which a dusky curtain had hung for many years. ”
Maimonides,
The Guide for the Perplexed
(1904)
“ We must consider the words, "the heavens were opened" (Ezek. i. 1) ; they give the key to the understanding of the whole. The figure of opening, also that of opening the gates, occurs frequently in the books of the prophets: e.g., "Open ye the gates that the righteous nation may enter in" (Isa. ”
Amy Ella Blanchard,
Wits' End
(1909)
“ I find that when we face a blank wall, which apparently has no way through it, often when we come up to it, we suddenly see an opening. Leave it for the present. It does not help things to worry over them. ”
Annie Besant,
The changing world, and lectures to theosophical students
“ I am chiefly concerned to endeavour to show you that this promise of the opening of new doors is a great reality; that the sounds are around us; that, as it were, the doors are already a little open, and we have the right to think that as man evolves a little further those doors will open wider and wider, so that the race may pass through them to a wiser and a happier future. ”
G. K. Chesterton,
Tremendous Trifles
“ For my friend said that he opened his intellect as the sun opens the fans of a palm tree, opening for opening’s sake, opening infinitely for ever. But I said that I opened my intellect as I opened my mouth, in order to shut it again on something solid. I was doing it at the moment. And as I truly pointed out, it would look uncommonly silly if I went on opening my mouth infinitely, for ever and ever. ”
George Eliot,
Impressions of Theophrastus Such…
(1902)
“ But the simple opening of a story with a date and necessary account of places and people, passing on quietly toward the more rousing elements of narrative and dramatic presentation, without need of retrospect, has its advantages which have to be measured by the nature of the story. ”
James W. Buel, Glimpses of America
“ The appearance of the opening at the base changes rapidly with each change in the position of the spectator, and on taking a position a little to the right of that occupied by the sketcher, the central opening appears more distinctly, flanked on either side by two lateral passages, making the resemblance to an artificial work still more striking. ”
M. M. Oblinger, Dick Kent, Fur Trader
“ There are a thousand different openings, all more or less alike. Attempt to follow any one of them, and you end up against a solid rock wall. You go back and start all over again somewhere else—and with the same result. ”
Emily Eden,
The Semi-attached Couple
(1890)
“ I do not see any other opening." "Oh, they will make an opening fast enough, if you will go in at it. They can shove off old Lisle to India, or make out an embassy for Chaffont. You will be in, somehow, before Christmas." ”
Arnold Wynne, The Growth of English Drama
“ The opening scene is certainly one of the most racy and homely Inductions to be found in dramatic literature, while one or two of the other scenes, though they make poor reading, are calculated to rouse laughter when acted ”
Curtis Guild, Over the Ocean; or, Sights and Scenes in Foreign Lands
“ Every turn brought us to these great wrought openings, which, from the ground, appeared like delicate lacework, and which seemed to give one the feeling, as he went round and round, as if he were swinging and swaying in the network between heaven and earth ”
Ernest Govett, Art Principles with Special Reference to Painting
“ The highest are those where an illusion of opening distance or other movement is provided, and the second class are where natural scenes of common experience, under common conditions of atmosphere, are faithfully reproduced. ”
F. Scott Fitzgerald,
The Great Gatsby
(1925)
“ A maid began opening the upper windows of his house, appeared momentarily in each, and, leaning from a large central bay, spat meditatively into the garden. ”
Edwin George Lutz,
Animated cartoons
(1920)
“ The gradual closing of the vignetter has its reciprocal part in the gradual opening; the lessening of the light strength is reciprocal to the increase of the light strength; then the fading of definiteness in one picture is made up by the gradually increasing clearness in the other. ”
Jacob Bryant, A New System; or, an Analysis of Antient Mythology…
“ If the openings in the wood or labyrinth are only as chance allotted, we may be for ever bewildered: but if they are made with design, and some method be discernible, this circumstance, if attended to, will serve for a clue, and lead us through the maze. ”
Wiljalba Frikell, Hanky Panky (1872)
“ Action.—When any one looks into one of the six openings between any two of the columns, the object there will be repeated six times, which will be an extraordinary illusion if the subjects are suitable to the arrangement of the mirrors. ”
Omar Khayyam,
Rubáiyát of Omar Khayyam, Rendered into English Verse
“ But if in vain, down on the stubborn floor Of Earth, and up to Heav'n's unopening Door, You gaze To-day, while You are You—how then To-morrow, You when shall be You no more? ”
Henry David Thoreau,
Journal 02, 1850-September 15, 1851
“ Granted that you are out-of-doors; but what if the outer door is open, if the inner door is shut! You must walk sometimes perfectly free, not prying nor inquisitive, not bent upon seeing things. Throw away a whole day for a single expansion, a single inspiration of air. ”
“ Twice or thrice, a door or niche broke the monotonous surface; and then it seemed a gap as wide as the whole church; and he felt on the brink of an abyss, and going to tumble headlong down, until he found the wall again.Still up, up, up; and round and round; and up, up, up; higher, higher, higher up! ”
Gilbert Sykes Blakely, Teachers' Outlines for Studies in English
“ In the dining-room scene what suggestions are given for the further development of the plot? [Pg 13] What is the next scene of importance? What incidents lead up to it?There are, in all, eight or nine important scenes. Make a list of them, note the train of incidents that leads up to each, and also the germs of future development that each contains.Each of these scenes marks a climax of interest. Is any one so much more important than the others, that you can say it is the climax of the book? Are any of them merely episodes that might be omitted without making the action incomplete? ”
James Lane Allen,
The Mettle of the Pasture
“ The servitors of the morning have entered and hung wall and ceiling with gorgeous draperies; the dust has been sprinkled; fresh airs are blowing; and there is music, the living orchestra of the living earth. Well for the waker then if he can look back upon the role he has played with a quiet conscience, and as naturally as the earth greets the sun step forth upon the stage to continue or to end his brief part in the long drama of destiny. ”
J. Hamilton Fyfe, Triumphs of Invention and Discovery in Art and Science
“ From first to last, from the rearing of the column on the rock to the monotonous, nightly vigil in attendance on the lamps—from the setting to the rising of the sun—the valour, intrepidity, and endurance, of all concerned are called into play, and the wild perils and stirring adventures they experience impart to the story of their labours a thrilling and romantic interest. ”
Nathaniel Hawthorne,
Mosses from an old manse
“ But again the door is opened, and we hear the tumultuous stir of the world,—a deep and awful sound, expressing in another form some portion of what is written in the volume that lies before the Man of Intelligence. ”
John Oxenham, Bees in Amber: A Little Book of Thoughtful Verse
“ So small, a man might hardly enter there, Low-browed and shadowed, and close-pressed to earth— A very needle's eye—scarce visible. I looked and wondered. Could this trivial way Be the sole entrance to the light of day? And as I stood perplext, a clear voice cried,— Come! Enter in! The Gate is open wide. ”
John Stephen Farmer,
The Public School Word-book
“ Directly we enter, we are struck by the stillness and solemnity that reign around, helped by the dim light, the windows with painted glass, the ponderous shelves, the illuminated missals, the graduates or attendants conversing in low whispers or moving quietly about. ”
Gertrude Stein,
Tender Buttons
“ Harmony is so essential. Is there pleasure when there is a passage, there is when every room is open. Every room is open when there are not four, there were there and surely there were four, there were two together. There is no resemblance.A single speed, the reception of table linen, all the wonder of six little spoons, there is no exercise. ”
Marietta Holley,
Samantha at the St. Louis Exposition
“ Now there are three noble figgers at the entrance that you can't forgit. Inspiration standin' up above the main entrance is jest where she should be. Inspiration, breath of the Most High breathed into some of His children below anon or oftener, and then on each side is Truth and Nature. ”
Various, The Continental Monthly, Vol. 6…
“ You stretch yourself, and endeavor to rise. Which is you, and which the board floor? You rather think this must be you that has just got up, because it aches so down the grain, and its knots or eyes—yes, they are eyes—are so full of sand. ”
Harley Granville-Barker,
Waste: A Tragedy, In Four Acts
“ There faces you besides a double door; when it is opened another door is seen. When that is opened you discover a writing table, and beyond can discern a book-case filled with heavy volumes—law reports perhaps. The little room beyond is, so to speak, an under-study. ”
Johann Wolfgang von Goethe,
The Autobiography of Goethe
“ Aided by this poetic thread one winds conveniently through the labyrinth of these rocky walls which, descending perpendicularly to the water, stand silently before us. They, the immovable, stand there as quietly as the side-scenes of a theatre; success or failure, joy or sorrow, merely pertain to the persons who for the day successively strut upon the stage. ”
Leonardo da Vinci,
A Treatise on Painting
(1802)
“ We know that the point of sight is the eye of the spectator; and if you ask, how is a series of subjects, such as the life of a saint, to be represented, in different compartments on the same wall? I answer, that you are to place the principal event in the largest compartment, and make the point of sight as high as the eye of the spectator. ”
Green Peyton, The Chamber of Life
“ You seem to pass through certain things slowly and completely, in the tempo of life. Then, when the transitional moment comes, between the scenes, your sensations pass with unbelievable rapidity. The Chamber has possession of your mind. ”
Anna Katharine Green,
The Mill Mystery
“ This was nothing more nor less than a faint creaking, such as had followed my own lifting of the board which hid the domino and mask; a noise that was speedily followed by one yet more distinct and of a nature to convince me beyond a doubt that my own action was being repeated by some unknown hand. Whose? Curiosity, love, honor, every impulse of my being impelled me to find out. I moved like a spirit towards the stairs. ”
L. M. Evans, Navvies and Their Needs (1878)
“ And now the bell is rung, and the scholars begin to assemble. All ages are represented in the stream that flows through the open door, from the aged man who leans on his stick to the infant who can just walk, and is led by an elder brother or sister. ”
Plato,
The Dialogues of Plato
(1892)
“ Who are you, I said; and where am I to come? He showed me an enclosed space and an open door over against the wall. And there, he said, is the building at which we all meet: and a goodly company we are. ”
Charles Dickens,
The Old Curiosity Shop — Chapter 1
(1841)
“ The glare and hurry of broad noon are not adapted to idle pursuits like mine; a glimpse of passing faces caught by the light of a street-lamp or a shop window is often better for my purpose than their full revelation in the daylight ”
Various, The Catholic World, Vol. 02, October…
“ There are no windows, for the centre of each front is, open, merely consisting of carved and painted framework, like the proscenium of a theatre, and displaying the contents of the shop on each hand, like side scenes. ”
Plotinus,
An Essay on the Beautiful, from the Greek of Plotinus
“ Let us reflect, what most powerfully attracts the eyes of beholders, and seizes the spectator with rapturous delight; for if we can find what this is, we may perhaps use it as a ladder, enabling us to ascend into the region of beauty, and survey its immeasurable extent. ”
Vincent van Gogh, The Letters of a Post-Impressionist
“ Every kind of scene and figure suggests a good composition to me—a market, the arrival of a boat, a group of men outside a soup-kitchen, the crowds wandering and gossiping in the streets—on the same principle as a flock of sheep—and it is all a matter of light and shade and perspective. ”
Arthur J. Rees, The Hand in the Dark
“ When the curtain begins to rise again it is on a darkened stage, on which the objects are seen dimly at first, then clearer as returning intelligence, working slowly for the accommodation of the new setting, places the fresh impression in order with the throng of previously existing ideas. ”
Thomas Allan Croal, Scottish Loch Scenery
“ For one minute the feeling may arise 'is that all'—the next, the grandeur of the scene has won its way to the mind and taken captive the imagination. Sit for an hour and the feeling will grow, while to revisit it day after day for a week will intensify wonder and admiration at the marvellous scene. ”
E. K. Chambers, The Elizabethan Stage, Vol. 3 (1923)
“ Sometimes, in a scene which employs the ‘Let us in!’ formula, or on other ground looks like a threshold scene, we are suddenly pulled up either by a suggestion of the host that we are ‘in’ his house or under his roof, or by an indication that persons outside are to be brought ‘in’. ”
Charles Lever, Once a Week (1862)
“ I sat moodily at the window watching a man polishing a slab in a small archway opposite, a labour so curious and interesting, as to have attracted six spectators, who with loose coats hanging sleeveless on their backs, watched him also, the live-long day, never moving from the spot till the night closed in and ended his work. ”
Nora Archibald Smith, Froebel's Gifts
“ The scene will become intensely exciting; the bright eyes will begin searching in every corner of the room, and the transport which will greet us when anything far out of sight and of the right color is discovered is truly refreshing. ”
W. B. Yeats,
The Collected Works in Verse and Prose of William Butler Yeats…
“ The necessities of a builder have torn from us, all unwilling as we were, the apron, as the portion of the platform that came in front of the proscenium used to be called, and we must submit to the picture-making of the modern stage. ”
Curtis Guild, Over the Ocean; or, Sights and Scenes in Foreign Lands
“ The descent through the open-work spire to the platform where the ladies were left was far more trying to the nerves than the ascent. In ascending, one is continually looking up, and the open spaces in the stone-work have the appearance of passages through which you are to pass, but continually avoid by the winding of the staircase; but in descending, the gaze being directed downward, you have the vast height continually before the view ”
