Summary

Portrait of Edward Carpenter Edward Carpenter The Drama of Love and Death: A Study of Human Evolution and Transfiguration

If one can imagine a love-relation going on between two members of a race—two portions, as it were, of the race-soul—at present only slightly individualized, one can see how the attraction to each other, the drawing away from their surroundings, the excitement, the agitation, all tend to further their growth as individuals—to give them form, apart from the matrix in which they are embedded, and definition and character. Of course all experience does this, but most of all and most deeply does love. It breeds souls out of the Race-self, and finally brings them away to an independent life.
Source: Gutenberg

Portrait of Edward Carpenter Edward Carpenter The Drama of Love and Death: A Study of Human Evolution and Transfiguration

Indeed when one comes to think of it, it seems difficult—if there is to be continuance at all—to imagine anything else. When one thinks of the strange contradictions of our mortal life, the hopelessly antagonistic elements, the warring of passions, the shattering of ideals, the stupor of monotony: the soul like a bird shut in a cage, or with bright wings draggled in the mire; the horrible sense of sin which torments some people, the mad impulses which tyrannize over others; the alternations of one’s own personality on different days, or at different depths and planes of consciousness
Source: Gutenberg

Portrait of Edward Carpenter Edward Carpenter The Drama of Love and Death: A Study of Human Evolution and Transfiguration

The whole of ordinary speech proceeds, and has proceeded, from this kind of self-consciousness—is generated from it, describes it, analyzes it, pictures it forth and expresses it—and in the upshot is just as muddled and illusive and unsatisfactory as the thing it proceeds from. And Love, which is not founded on that kind of self-consciousness—which is in fact the denial of self-centration—has no use for it. Love can only say what it wants by the language of life, action, song, sacrifice, ravishment, death, and the great panorama of creation.
Source: Gutenberg

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