Summary

Portrait of C. Lloyd Morgan C. Lloyd Morgan Animal Life and Intelligence

No one can, one would suppose, pass through the galleries in Cromwell Road and remain quite insensible to the beauties of animal life. Beauty of form and beauty of colour are conspicuously combined in many species of birds and insects. And much of this colour-beauty and splendid iridescence is known to be due to minute scales, to thin films of air or fluid, and to microscopically fine lines developed upon scales or feathers. But there is one phase of beauty which cannot be exhibited in the museum—the beauty that comes of life as opposed to death.
Source: Gutenberg

Portrait of C. Lloyd Morgan C. Lloyd Morgan Animal Life and Intelligence

If, because of their purposive character, we are to regard such instincts as of intelligent origin, may we not be told that through intelligent design the pike has beset its jaws, palate, and gill-arches with innumerable teeth, all backwardly directed for the purpose of holding its slippery prey; and the eagle has protected its eye with a bony ring of sclerotic plates, like the holder of an optician's watch-glass? If mimicry in form and colour is due to natural selection, why not mimicry in habits and activities?
Source: Gutenberg

Portrait of C. Lloyd Morgan C. Lloyd Morgan Animal Life and Intelligence

Thus a beautiful natural object, as a noble tree, delights us by its gradations of light and colour, the combination of variety with symmetry in its contour or form, the adaptation of part to part, or the whole to its surroundings; and, finally, by its effect on the imagination, its suggestions of heroic persistence, of triumph over the adverse forces of wind and storm. Similarly, a beautiful painting delights the eye by supplying a rich variety of light and shade, of colour, and of outline
Source: Gutenberg

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