Summary

Portrait of T. W. Rolleston T. W. Rolleston Parallel Paths: A Study in Biology…

If aptness for use, it may be asked, is an element in the beauty of an object of use, how are we to account for the strong appeal which the ruin of a noble building certainly makes to the sense of beauty? For my own part I am inclined to think that the taste for ruins is often a sign of a want of taste for art. A beautiful thing is better whole and sound than in decay. Yet the spectacle of the silent struggle of strength and grace with destructive forces has in it a sense of action, of drama, to which beauty cannot be denied.
Source: Gutenberg

Portrait of T. W. Rolleston T. W. Rolleston Parallel Paths: A Study in Biology…

Taking some aspect of life which he wishes to convey by means of line, colour, or tone, he suppresses, alters, composes, emphasizes, till he has expressed his feeling in its purity, with everything immaterial left out and with the things essential to his conception lifted clearly into view. His work is therefore greater and more vital than nature, that is to say than any fragment of nature, for he is looking at the part he renders sub specie aeternitatis, in the light of the Whole. And living in the conception of a great work of art, we live in the Whole; the individual has sunk from view.
Source: Gutenberg

Portrait of T. W. Rolleston T. W. Rolleston Parallel Paths: A Study in Biology…

We are by no means entitled to sit still and expect that the current of evolution will bear mankind along irresistibly to its goal. With the development of the conscious will we are made responsible for the advance of life in the only sphere which we know and which our actions can affect. Man is, as it were, the growing-point of that progressive life. If his strange passion for the perfection which he has never seen should be smothered in the struggle for mere existence, or corrupted by brutal luxury, then growth will be at an end, atrophy or degeneration will set in.
Source: Gutenberg

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