Guy Debord

“ Workers do not produce themselves, they produce a power independent of themselves. The success of this production, the abundance it generates, is experienced by the producers as an abundance of dispossession. As their alienated products accumulate, all time and space become foreign to them. The spectacle is the map of this new world, a map that is identical to the territory it represents. The forces that have escaped us display themselves to us in all their power. ”

“ With the waning of the Middle Ages, the irreversible time that had invaded society was experienced by a consciousness still attached to the old order as an obsession with death. This was the melancholy of a world passing away, the last world where the security of myth still counterbalanced history; and for this melancholy all earthly things move inevitably toward decay. The great European peasant revolts were also an attempt to respond to history — a history that was violently wresting the peasants from the patriarchal slumber that had been imposed by their feudal guardians. ”

“ The city has served as the historical battleground for the struggle for freedom without yet having been able to win it. The city is the focal point of history because it embodies both a concentration of social power, which is what makes historical enterprises possible, and a consciousness of the past. The current destruction of the city is thus merely one more reflection of humanity’s failure, thus far, to subordinate the economy to historical consciousness; of society’s failure to unify itself by reappropriating the powers that have been alienated from it. ”

“ Although fascism rallies to the defense of the main icons of a bourgeois ideology that has become conservative (family, private property, moral order, patriotism) , while mobilizing the petty bourgeoisie and the unemployed workers who are panic-stricken by economic crisis or disillusioned by the socialist movement’s failure to bring about a revolution, it is not itself fundamentally ideological. It presents itself as what it is — a violent resurrection of myth calling for participation in a community defined by archaic pseudovalues: race, blood, leader. ”

“ The image of blissful social unification through consumption merely postpones the consumer’s awareness of the actual divisions until his next disillusionment with some particular commodity. Each new product is ceremoniously acclaimed as a unique creation offering a dramatic shortcut to the promised land of total consummation. But as with the fashionable adoption of seemingly aristocratic first names which end up being given to virtually all individuals of the same age, the objects that promise uniqueness can be offered up for mass consumption only if they have been mass-produced. ”

“ Spectacular technology has not dispersed the religious mists into which human beings had projected their own alienated powers, it has merely brought those mists down to earth, to the point that even the most mundane aspects of life have become impenetrable and unbreathable. The illusory paradise that represented a total denial of earthly life is no longer projected into the heavens, it is embedded in earthly life itself. The spectacle is the technological version of the exiling of human powers into a “world beyond”; the culmination of humanity’s internal separation. ”

“ Art in its period of dissolution — a movement of negation striving for its own transcendence within a historical society where history is not yet directly lived — is at once an art of change and the purest expression of the impossibility of change. ”

“ So long as agrarian production remains the predominant form of labor, the cyclical time that remains at the base of society reinforces the joint forces of tradition, which tend to hold back any historical movement. But the irreversible time of the bourgeois economy eradicates those vestiges throughout the world. History, which until then had seemed to involve only the actions of individual members of the ruling class, and which had thus been recorded as a mere chronology of events, is now understood as a general movement — a relentless movement that crushes any individuals in its path. ”

“ Conversely, what is really lived has no relation to the society’s official version of irreversible time, and conflicts with the pseudocyclical rhythm of that time’s consumable by-products. This individual experience of a disconnected everyday life remains without language, without concepts, and without critical access to its own past, which has nowhere been recorded. Uncommunicated, misunderstood and forgotten, it is smothered by the spectacle’s false memory of the unmemorable. ”

“ They embody the inaccessible results of social labor by dramatizing the by-products of that labor which are magically projected above it as its ultimate goals: power and vacations — the decisionmaking and consumption that are at the beginning and the end of a process that is never questioned. On one hand, a governmental power may personalize itself as a pseudostar; on the other, a star of consumption may campaign for recognition as a pseudopower over life. ”

“ Economic growth has liberated societies from the natural pressures that forced them into an immediate struggle for survival; but they have not yet been liberated from their liberator. The commodity’s independence has spread to the entire economy it now dominates. This economy has transformed the world, but it has merely transformed it into a world dominated by the economy. The pseudonature within which human labor has become alienated demands that such labor remain forever in its service ”

“ The proletarian revolution is a yet-unrealized project, born on the foundation of the earlier revolution but differing from it qualitatively. If one overlooks the originality of the historical role of the bourgeoisie, one also tends to overlook the specific originality of the proletarian project, which can achieve nothing unless it carries its own banners and recognizes the “immensity of its own tasks.” The bourgeoisie came to power because it was the class of the developing economy. The proletariat cannot create its own new form of power except by becoming the class of consciousness. ”

“ The historical time that invaded art was manifested first of all in the sphere of art itself, beginning with the baroque. Baroque was the art of a world that had lost its center with the collapse of the last mythical order: the Medieval synthesis of a unified Christianity with the ghost of an Empire, which had harmonized heavenly and earthly government. The art of change inevitably embodied the same ephemerality that it discovered in the world. ”

“ The history that is present in all the depths of society tends to become invisible at the surface. The triumph of irreversible time is also its metamorphosis into a time of things, because the weapon that brought about its victory was the mass production of objects in accordance with the laws of the commodity. The main product that economic development has transformed from a luxurious rarity to a commonly consumed item is thus history itself — but only in the form of the history of the abstract movement of things that dominates all qualitative aspects of life. ”

“ As for the social image of the consumption of time, it is exclusively dominated by leisure time and vacations — moments portrayed, like all spectacular commodities, at a distance and as desirable by definition. These commodified moments are explicitly presented as moments of real life whose cyclical return we are supposed to look forward to. But all that is really happening is that the spectacle is displaying and reproducing itself at a higher level of intensity. What is presented as true life turns out to be merely a more truly spectacular life. ”

“ The spectacle is the flip side of money. It, too, is an abstract general equivalent of all commodities. But whereas money has dominated society as the representation of universal equivalence — the exchangeability of different goods whose uses remain uncomparable — the spectacle is the modern complement of money: a representation of the commodity world as a whole which serves as a general equivalent for what the entire society can be and can do. The spectacle is money one can only look at, because in it all use has already been exchanged for the totality of abstract representation. ”

“ The most revolutionary idea concerning urbanism is not itself urbanistic, technological or aesthetic. It is the project of reconstructing the entire environment in accordance with the needs of the power of workers councils, of the antistate dictatorship of the proletariat, of executory dialogue. Such councils can be effective only if they transform existing conditions in their entirety; and they cannot set themselves any lesser task if they wish to be recognized and to recognize themselves in a world of their own making. ”

“ The self-emancipation of our time is an emancipation from the material bases of inverted truth. This “historic mission of establishing truth in the world” can be carried out neither by the isolated individual nor by atomized and manipulated masses, but only and always by the class that is able to dissolve all classes by reducing all power to the de-alienating form of realized democracy — to councils in which practical theory verifies itself and surveys its own actions. ”

“ The industrialization of the Stalin era revealed the bureaucracy’s ultimate function: continuing the reign of the economy by preserving the essence of market society: commodified labor. It also demonstrated the independence of the economy: the economy has come to dominate society so completely that it has proved capable of recreating the class domination it needs for its own continued operation; that is, the bourgeoisie has created an independent power that is capable of maintaining itself even without a bourgeoisie. ”

“ The already dubious satisfaction alleged to be obtained from the consumption of the whole is thus constantly being disappointed because the actual consumer can directly access only a succession of fragments of this commodity heaven, fragments which invariably lack the quality attributed to the whole.
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Each individual commodity fights for itself. It avoids acknowledging the others and strives to impose itself everywhere as if it were the only one in existence. The spectacle is the epic poem of this struggle, a struggle that no fall of Troy can bring to an end. ”

“ The alienation of the spectator, which reinforces the contemplated objects that result from his own unconscious activity, works like this: The more he contemplates, the less he lives; the more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him. The spectator does not feel at home anywhere, because the spectacle is everywhere. ”

“ When art becomes independent and paints its world in dazzling colors, a moment of life has grown old. Such a moment cannot be rejuvenated by dazzling colors, it can only be evoked in memory. The greatness of art only emerges at the dusk of life. ”

“ But even when such a society has developed a technology and a language and is already a product of its own history, it is conscious only of a perpetual present. Knowledge is carried on only by the living, never going beyond the memory of the society’s oldest members. Neither death nor procreation is understood as a law of time. Time remains motionless, like an enclosed space. When a more complex society finally becomes conscious of time, it tries to negate it — it views time not as something that passes, but as something that returns. ”

“ Imprisoned in a flattened universe bounded by the screen of the spectacle that has enthralled him, the spectator knows no one but the fictitious speakers who subject him to a one-way monologue about their commodities and the politics of their commodities. The spectacle as a whole serves as his looking glass. ”

“ The unreal unity proclaimed by the spectacle masks the class division underlying the real unity of the capitalist mode of production. What obliges the producers to participate in the construction of the world is also what excludes them from it. What brings people into relation with each other by liberating them from their local and national limitations is also what keeps them apart. What requires increased rationality is also what nourishes the irrationality of hierarchical exploitation and repression. What produces society’s abstract power also produces its concrete lack of freedom. ”