Summary

Guy Debord The Society of the Spectacle — Chapter 4… (1967)

Although fascism rallies to the defense of the main icons of a bourgeois ideology that has become conservative (family, private property, moral order, patriotism) , while mobilizing the petty bourgeoisie and the unemployed workers who are panic-stricken by economic crisis or disillusioned by the socialist movement’s failure to bring about a revolution, it is not itself fundamentally ideological. It presents itself as what it is — a violent resurrection of myth calling for participation in a community defined by archaic pseudovalues: race, blood, leader.
Source: Wikisource

Guy Debord The Society of the Spectacle — Chapter 4… (1967)

The bureaucracy is thus helplessly tied to an ideology that is no longer believed by anyone. The power that used to inspire terror now inspires ridicule, but this ridiculed power still defends itself with the threat of resorting to the terrorizing force it would like to be rid of. Thus, at the very time when the bureaucracy hopes to demonstrate its superiority on the terrain of capitalism it reveals itself to be a poor cousin of capitalism.
Source: Wikisource

Guy Debord The Society of the Spectacle — Chapter 4… (1967)

It bears a revolution that cannot leave anything outside itself, a revolution embodying the permanent domination of the present over the past and a total critique of separation; and it must discover the appropriate forms of action to carry out this revolution. No quantitative amelioration of its impoverishment, no illusory participation in a hierarchized system, can provide a lasting cure for its dissatisfaction, because the proletariat cannot truly recognize itself in any particular wrong it has suffered, nor in the righting of any particular wrong.
Source: Wikisource

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