Summary

Guy Debord The Society of the Spectacle — Chapter 5… (1967)

This irreversible time is the time of those who rule, and the dynasty is its first unit of measurement. Writing is the rulers’ weapon. In writing, language attains its complete independence as a mediation between consciousnesses. But this independence coincides with the independence of separate power, the mediation that shapes society. With writing there appears a consciousness that is no longer carried and transmitted directly among the living — an impersonal memory, the memory of the administration of society.
Source: Wikisource

Guy Debord The Society of the Spectacle — Chapter 5… (1967)

Examining history amounts to examining the nature of power. Greece was the moment when power and changes in power were first debated and understood. It was a democracy of the masters of society — a total contrast to the despotic state, where power settles accounts only with itself, within the impenetrable obscurity of its inner sanctum, by means of palace revolutions, which are beyond the pale of discussion whether they fail or succeed.
Source: Wikisource

Guy Debord The Society of the Spectacle — Chapter 5… (1967)

With the waning of the Middle Ages, the irreversible time that had invaded society was experienced by a consciousness still attached to the old order as an obsession with death. This was the melancholy of a world passing away, the last world where the security of myth still counterbalanced history; and for this melancholy all earthly things move inevitably toward decay. The great European peasant revolts were also an attempt to respond to history — a history that was violently wresting the peasants from the patriarchal slumber that had been imposed by their feudal guardians.
Source: Wikisource

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