Nathaniel Hawthorne

Nathaniel Hawthorne

Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne,  The Marble Faun (1860)

“ Only a sculptor of the finest imagination, the most delicate taste, the sweetest feeling, and the rarest artistic skill—in a word, a sculptor and a poet too—could have first dreamed of a Faun in this guise, and then have succeeded in imprisoning the sportive and frisky thing in marble. Neither man nor animal, and yet no monster, but a being in whom both races meet on friendly ground. The idea grows coarse as we handle it, and hardens in our grasp. But, if the spectator broods long over the statue, he will be conscious of its spell ”
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne,  The Marble Faun (1860)

“ Then, all that has passed will be recognized as but an ugly dream. For, in dreams, the conscience sleeps, and we often stain ourselves with guilt of which we should be incapable in our waking moments. The deed you seemed to do, last night, was no more than such a dream; there was as little substance in what you fancied yourself doing. Go; and forget it all!"
"Ah, that terrible face!" said Donatello, pressing his hands over his eyes. "Do you call that unreal?"
"Yes; for you beheld it with dreaming eyes," replied Miriam.
”
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne,  The Marble Faun (1860)

“ Hilda's had that evanescent and ethereal life—that flitting fragrance, as it were, of the originals—which it is as difficult to catch and retain as it would be for a sculptor to get the very movement and varying color of a living man into his marble bust. Only by watching the efforts of the most skilful copyists—men who spend a lifetime, as some of them do, in multiplying copies of a single picture—and observing how invariably they leave out just the indefinable charm that involves the last, inestimable value, can we understand the difficulties of the task which they undertake. ”
Source: Wikisource

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