Summary

Giorgio Vasari Lives of the Most Eminent Painters…

And what can I say of the Night, a statue not rare only, but unique? Who is there who has ever seen in that art in any age, ancient or modern, statues of such a kind? For in her may be seen not only the stillness of one sleeping, but the grief and melancholy of one who has lost a great and honoured possession; and we must believe that this is that night of darkness that obscures all those who thought for some time, I will not say to surpass, but to equal Michelagnolo in sculpture and design. In that statue is infused all the somnolence that is seen in sleeping forms
Source: Gutenberg

Giorgio Vasari Lives of the Most Eminent Painters…

This is for our art the exemplar and the grand manner of painting sent down to men on earth by God, to the end that they may see how Destiny works when intellects descend from the heights of Heaven to earth, and have infused in them divine grace and knowledge. This work leads after it bound in chains those who persuade themselves that they have mastered art; and at the sight of the strokes drawn by him in the outlines of no matter what figure, every sublime spirit, however mighty in design, trembles and is afraid.
Source: Gutenberg

Giorgio Vasari Lives of the Most Eminent Painters…

And who will not be struck dumb with admiration at the sight of the sublime force of Jonas, the last figure in the chapel, wherein by the power of art the vaulting, which in fact springs forward in accord with the curve of the masonry, yet, being in appearance pushed back by that figure, which bends inwards, seems as if straight, and, vanquished by the art of design with its lights and shades, even appears in truth to recede inwards? Oh, truly happy age of ours, and truly blessed craftsmen!
Source: Gutenberg

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