Summary

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

These commissions given, Michelagnolo desired that Tribolo should make two nude statues, which were to be one on either side of that of Duke Giuliano, which he himself had already made; one was to be a figure of Earth crowned with cypress, weeping with bowed head and with the arms outstretched, and lamenting the death of Duke Giuliano, and the other a figure of Heaven with the arms uplifted, all smiling and joyful, and showing her gladness at the adornment and splendour that the soul and spirit of that lord conferred upon her.
Source: Gutenberg

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

The frieze that is between the architrave and the great cornice, he made with a most beautiful turn of foliage, all pierced through and full of birds that are executed so well, that they seem to be flying through the air; and it is a marvellous thing to see their little legs, no larger than life, and yet completely in the round and detached from the stone in such a way as one cannot believe to be possible; and, in truth, the work seems rather a miracle than a product of human art.
Source: Gutenberg

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

When Andrea di Cosimo, then, had finished gilding the escutcheon and all the eaves, Jacopo set to work all by himself to finish the rest; and being carried away by the desire to make a name, by his joy in working, and by nature, which had endowed him with extraordinary grace and fertility of genius, he executed that work with incredible rapidity and with such perfection as could not have been surpassed by an old, well-practised, and excellent master.
Source: Gutenberg

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