Summary

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

I painted, then, in a picture three braccia high, Duke Alessandro himself in armour, portrayed from life, with a new invention in a seat formed of captives bound together, and with other fantasies. And I remember that besides the portrait, which was a good likeness, in seeking to make the burnished surface of the armour bright, shining, and natural, I was not very far from losing my wits, so much did I exert myself in copying every least thing from the reality.
Source: Gutenberg

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

Having written hitherto of the lives and works of the most excellent painters, sculptors, and architects, from Cimabue down to the present day, who have passed to a better life, and having spoken with the opportunities that came to me of many still living, it now remains that I say something of the craftsmen of our Academy of Florence, of whom up to this point I have not had occasion to speak at sufficient length. And beginning with the oldest and most important, I shall speak first of Agnolo, called Bronzino, a Florentine painter truly most rare and worthy of all praise.
Source: Gutenberg

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

For Bartolommeo Panciatichi he painted two large pictures of Our Lady, with other figures, beautiful to a marvel and executed with infinite diligence, and, besides these, portraits of him and his wife, so natural that they seem truly alive, and nothing is wanting in them save breath. For the same man he has painted a picture of Christ on the Cross, which is executed with much study and pains, insomuch that it is clearly evident that he copied it from a real dead body fixed on a cross, such is the supreme excellence and perfection of every part.
Source: Gutenberg

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