Summary

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

LIFE OF GIOVAN FRANCESCO RUSTICI
SCULPTOR AND ARCHITECT OF FLORENCE
It is in every way a notable thing that all those who were of the school in the garden of the Medici, and were favoured by the Magnificent Lorenzo the Elder, became without exception supremely excellent; which circumstance cannot have come from any other cause but the great, nay, infinite judgment of that most noble lord, the true Mæcenas of men of talent, who, even as he was able to recognize men of lofty spirit and genius, was also both willing and able to recompense and reward them.
Source: Gutenberg

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

These grotesques—which were called grotesques from their having been discovered in the underground grottoes—executed with so much design, with fantasies so varied and so bizarre, with their delicate ornaments of stucco divided by various fields of colour, and with their little scenes so pleasing and beautiful, entered so deeply into the heart and mind of Giovanni, that, having devoted himself to the study of them, he was not content to draw and copy them merely once or twice
Source: Gutenberg

Giorgio Vasari Lives of the most Eminent Painters Sculptors and Architects…

About the chariot are innumerable prisoners in various attitudes, and behind it the soldiers of the army in their armour, among whom Francesco made a portrait of himself, which is so good that it seems as if alive. In the distance, where the triumphal procession is passing, is a very beautiful picture of Rome, and above the door is a figure of Peace in chiaroscuro, who is burning the arms, with some prisoners; all which was executed by Francesco with such diligence and study, that there is no more beautiful work to be seen.
Source: Gutenberg

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