Summary

Portrait of Neith Boyce Neith Boyce The Folly of Others — Constancy (1904)

Some days later Richard Lowell came to see her. She opened the door to her old-time lover, led him into the dim parlor, seated him on the horse-hair sofa, and conversed with him for half an hour about the weather and the changes in the village. Mira was outwardly the cooler of the two, though secretly she was trembling with excitement. Lowell stumbled over his commonplaces, looking at her in bewilderment. She appeared little older than the girl of nineteen he had left. She was still as exquisite as one of the roses in her garden, to which he had always compared her.
Source: Wikisource

Portrait of Neith Boyce Neith Boyce The Folly of Others — Constancy (1904)

One evening as they sat in the dim parlor Lowell reached out a muscular arm and flung the shutters of one window back on their rusted hinges. Mira started from her chair with a cry, dropping the field flowers he had brought her from her lap. Lowell caught her hand and drew her to the window. A broad band of moonlight fell upon her; the heavy scent of the sweet clover hung on the scarcely stirred air. It was just such an evening twenty years ago——
Suddenly the man's eyes wandered from her face to the gown she wore.
Source: Wikisource

Portrait of Neith Boyce Neith Boyce The Folly of Others — Constancy (1904)

Richard Lowell, walking slowly past, looked closely at the house, which seemed to sleep behind its shutters. The thought of the woman in there moved him strangely. Twenty years within those four walls—what a nun's life! It would have seemed impossible to him if he had not himself been New England born and bred and used to see the unyielding granite crop up in unexpected places through the grass and flowers. As it was, this sudden disclosure of Mira Bascom's "craziness" came upon him with a confusing shock.
Source: Wikisource

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