O. Douglas, Penny Plain — CHAPTER XXI (1920)
“ There is no charm in a room furnished from showrooms, though it be correct in every detail to the period chosen. Much more human is the room that is full of things, ugly, perhaps, in themselves but which link one generation to another. The ottoman worked so laboriously by a ringleted great-aunt stood with its ugly mahogany legs beside a Queen Anne chair, over whose faded wool-work seat a far-off beauty had pricked her dainty fingers—and both of the workers were Hopes: while by Pamela's side stood a fire-screen stitched by Augusta, the last of the Hopes. ”
