Summary

Portrait of O. Henry O. Henry Heart of the West [Annotated]

A piano, and one so well played, seemed to me to be an unusual thing to find in that small and unpromising ranch-house. I must have looked my surprise at Rush Kinney, for he laughed in his soft, Southern way, and nodded at me through the moonlit haze of our cigarettes.
"You don't often hear as agreeable a noise as that on a sheep-ranch," he remarked; "but I never see any reason for not playing up to the arts and graces just because we happen to live out in the brush. It's a lonesome life for a woman; and if a little music can make it any better, why not have it? That's the way I look at it."
Source: Gutenberg

Portrait of O. Henry O. Henry Heart of the West [Annotated]

He was a mouse-coloured, slate-coloured, flea-bitten roan-dun, if you can conceive it. Down his back from his mane to his tail went a line of black. He would live forever; and surveyors have not laid off as many miles in the world as he could travel in a day.
Eight miles east of the Cibolo ranch-house Ranse loosened the pressure of his knees, and Vaminos stopped under a big ratama tree. The yellow ratama blossoms showered fragrance that would have undone the roses of France. The moon made the earth a great concave bowl with a crystal sky for a lid.
Source: Gutenberg

Portrait of O. Henry O. Henry Heart of the West [Annotated]

Sandridge rode down to the jacal of Perez. The sun was low, and the broad shade of the great pear thicket already covered the grass-thatched hut. The goats were enclosed for the night in a brush corral near by. A few kids walked the top of it, nibbling the chaparral leaves. The old Mexican lay upon a blanket on the grass, already in a stupor from his mescal, and dreaming, perhaps, of the nights when he and Pizarro touched glasses to their New World fortunes—so old his wrinkled face seemed to proclaim him to be. And in the door of the jacal stood Tonia.
Source: Gutenberg

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