O. Henry

O. Henry

Summary

Portrait of O. Henry O. Henry Schools and Schools (1908)

Fields is really amusing—sometimes," said Barbara. "Here is a letter for you, dear, that came by special delivery just after you had gone."
"Who is it from?" asked Nevada, tugging at a button.
"Well, really," said Barbara, with a smile, "I can only guess. The envelope has that queer little thing in one corner that Gilbert calls a palette, but which looks to me rather like a gilt heart on a school-girl's valentine."
"I wonder what he's writing to me about," remarked Nevada, listlessly.
"We're all alike," said Barbara; "all women. We try to find out what is in a letter by studying the postmark.
Source: Wikisource

Portrait of O. Henry O. Henry Schools and Schools (1908)

IV Nevada tiptoed to the hall, and heard Barbara's door close up-stairs. The bronze clock in the study told the hour of twelve was fifteen minutes away. She ran swiftly to the front door, and let herself out into the snow-storm. Gilbert Warren's studio was six squares away.
By aerial ferry the white, silent forces of the storm attacked the city from beyond the sullen East River. Already the snow lay a foot deep on the pavements, the drifts heaping themselves like scaling-ladders against the walls of the besieged town. The Avenue was as quiet as a street in Pompeii.
Source: Wikisource

Portrait of O. Henry O. Henry Schools and Schools (1908)

She slit the envelope, and read the missive with swift-traveling eyes; read it again, and cast a quick, shrewd glance at Nevada, who, for the time, seemed to consider gloves as the world of her interest, and letters from rising artists as no more than messages from Mars.
Source: Wikisource

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