Richard Connell

Richard Connell

Summary

Portrait of Richard Connell Richard Connell The Red Book Magazine, Volume 46… (1925)

It was always a somewhat breathless moment for Francis Dawson when he swung open the glass door of the “D” box.
Some evenings he found a letter there; rather more often he did not. He played a game with himself as he walked to the club from his office downtown, a small office in a sunless building where from nine to five he applied himself assiduously to his work as an accountant. He bet with himself whether he'd get a letter. If he won, and did get a letter, he treated himself to the dollar-and-a-half table-d'hôte dinner, instead of the dollar dinner, his customary fare.
Source: Wikisource

Portrait of Richard Connell Richard Connell The Red Book Magazine, Volume 46… (1925)

So he knew no one in the club. The Standish Club takes pride in the fact that it is not a back-slapping institution. It is a Standish tradition that members shall respect each other's privacy, unless formally introduced, so in the three years he had been a member Dawson had intruded on no one's privacy, and no one had intruded on his, except for an occasional request to pass the salt, please, when he was dining, alone, at one of the long tables in the great paneled dining-hall.
Before he went in to his dinner, Francis Dawson stopped for his mail.
Source: Wikisource

Portrait of Richard Connell Richard Connell The Red Book Magazine, Volume 46… (1925)

NO other young man of our immediate day has wrought more worthily in short fiction than Mr. Connell. Critical attention was first drawn to him by the engaging post-war tales of the French peasantry that a few years ago began to appear after his name. Latterly he has concerned himself with very brief and poignant tales in the French manner, of which the present story is an example.
EVERY evening when his work was done, Francis Dawson entered the wide, hotel-like lobby of the Standish Club.
Source: Wikisource

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