Oliver Onions

Oliver Onions

Summary

Portrait of Oliver Onions Oliver Onions Widdershins — The Accident (1911)

It was Marsden whom Romarin had come to meet—Marsden, of whom he had thought with such odd persistency lately. Marsden was the only man in the world between whom and himself lay as much as the shadow of an enmity; and even that faint shadow was now passing. One does not guard, for forty years, animosities that take their rise in quick outbreaks of the young blood; and, now that Romarin came to think of it, he hadn't really hated Marsden for more than a few months.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Accident (1911)

A group of scene-shifters were moving a flat of scenery from a theatre into a tumbril-like cart...
And Romarin knew that, past, present, and future, he had seen it all in an instant, and that Marsden stood behind that painted wing.
And he knew, too, that he had only to wait until that flat passed and to take Marsden's arm and enter the restaurant, and it would be so. A drowning man is said to see all in one unmeasurable instant of time; a year-long dream is but, they say, an instantaneous arrangement in the moment of waking of the molecules we associate with ideas
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Accident (1911)

In order that this malignant growth in Society's breast should be able to say "I know," had sanctities been profaned, sweet conventions assailed, purity blackened, soundness infected, and all that was bright and of the day been sunk in the quagmire that this creature of the night had called—yes, stilled called—by the gentle name of Romance? Yes, so it had been. Not only had men and women suffered dishonour, but manhood and womanhood and the clean institutions by which alone the creature was suffered to exist had been brought to shame.
Source: Wikisource

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