Summary

Portrait of Oliver Onions Oliver Onions Widdershins — The Cigarette Case (1911)

A moment ago I said a fellow like Rangon leads a restricted sort of life in those parts. I saw this more clearly as dinner went on. We dined by an open window, from which we could see the stream with the planks across it where the women washed clothes during the day and assembled in the evening for gossip. There were a dozen or so of them there as we dined, laughing and chatting in low tones—they all seemed pretty—it was quickly falling dusk—all the girls are pretty then, and are quite conscious of it—you know, Marsham.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Cigarette Case (1911)

So presently I forgot all about Rangon, and I'm pretty sure that Carroll, who was talking to his companion of some Félibrige junketing or other and having the air of Gounod's Mireille hummed softly over to him, didn't waste a thought on him either. Soon Carroll—you remember what a pretty crooning, humming voice he had—soon Carroll was murmuring what they call 'seconds,' but so low that the sound hardly came across the room; and I came in with a soft bass note from time to time. No instrument, you know; just an unaccompanied murmur no louder than an Aeolian harp
Source: Wikisource

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