Summary

Portrait of Oliver Optic Oliver Optic Make or Break; or, The Rich Man's Daughter

Make or break, I'm bound to succeed in something."
"What do you mean by 'make or break,' Leo? It sounds just as though you meant to make money if you sacrificed everything."
"I don't mean that."
"I would rather go to the almshouse than be dishonest. I can't think of anything more horrid than being wicked."
"Nor I either. I don't mean to be dishonest, Maggie. I would rather be a good man than a rich one, any day; but I think a man can be both. A good man, with lots of money, is better than a good man without it; for he can do good with it.
Source: Gutenberg

Portrait of Oliver Optic Oliver Optic Make or Break; or, The Rich Man's Daughter

Wittleworth's hair was oiled, moistened with diluted Cologne water, combed, brushed, parted, and tossed in wavy flakes over his head, and was as fragrant, glossy, and unctuous as the skill of André could make it.
"One feels more like a Christian after a clean shave," said Mr. Wittleworth, as he rose from the chair, and passed his hand approvingly over his polished chin. "Barbers, good barbers, do a missionary work in the world."
"What are you doing here, Fitz?" demanded a stern-looking gentleman, who had just entered the shop, and stepped up behind the juvenile customer.
Source: Gutenberg

Portrait of Oliver Optic Oliver Optic Make or Break; or, The Rich Man's Daughter

What makes me think so? Does a man of wealth and influence leave his own child among strangers, in a foreign land, for ten years? No! I repeat it, no!"
"You say the child was sent to the cholera hospital?" asked André, nervously.
"She was; but in my opinion she died there."
"O, she died there—did she?" said André, with apparent relief.
"Checkynshaw says she did not die; I say she did."
"Why should he say she didn't die, if she did die?" inquired Maggie, very innocently.
"Why should he? Why, indeed?" repeated Fitz, amazed at her obtuseness.
Source: Gutenberg

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