Summary

Portrait of T. S. Arthur T. S. Arthur Lizzy Glenn; Or, The Trials of a Seamstress

It is hard to let my child go, and not see him again before New Year's day."
"But you must act the woman's part, Mrs. Gaston. We cannot get through life without some sacrifice of feeling. My mother had to let me go before I was even as old as your boy."
As Mr. Sharp said this, he arose, adding as he did so—
"Come, my little man. I see you are all ready."
Holding back her feelings with a strong effort, Mrs. Gaston took hold of Henry's small, thin hand, bent over him, and kissed his fair young cheek, murmuring in an under tone—
"God be with you, and keep you, my boy!"
Source: Gutenberg

Portrait of T. S. Arthur T. S. Arthur Lizzy Glenn; Or, The Trials of a Seamstress

Gaston's feelings so overcame her at this relation, that she wept and sobbed for some time.
"But, my dear Eugenia!—my child that I loved so tenderly, and have so long mourned as lost," she said, at length, drawing her arm affectionately around Miss Ballantine, "in better and happier times, we made one household for more than five pleasant years. Let us not be separated now, when there are clouds over our heads and sorrow on our paths. Together we shall be able to bear up better and longer than when separated. I have a room, into which I moved a week since, that is pleasanter than this.
Source: Gutenberg

Portrait of T. S. Arthur T. S. Arthur Lizzy Glenn; Or, The Trials of a Seamstress

Some are purified by much suffering who, to common observation, seem purer far than hundreds around them whose days glide pleasantly on and whose skies are rarely overcast, and then only by a swiftly-passing summer cloud. Rachel Parker was one of these. During the first year of her absence from those who were loved next to her husband and child, her father died. And what rendered the affliction doubly severe, was the fact, that it occurred while she herself was so ill that she could not be moved without endangering her life.
Source: Gutenberg

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