Summary

Portrait of Louis Albert Banks Louis Albert Banks White Slaves; or, the Oppression of the Worthy Poor

Often in entering an old rear tenement house, where filth and misery held riot, I have been astonished at the splendidly carved ornaments over the doorways, and the still-to-be-traced carving on the balustrade. Once these old rear tenements were the abodes of Boston's wealthiest and most cultivated citizens; but the Old World tide has come in, and house after house, block after block, and street upon street, have been overwhelmed by the waves of people who speak other languages, and whose habits of life are more foreign than their speech.
Source: Gutenberg

Portrait of Louis Albert Banks Louis Albert Banks White Slaves; or, the Oppression of the Worthy Poor

The wealthy merchant who pays the poor widow one cent apiece for making white aprons, and by his avarice and his lust induces the young women who sell them to eke out their scanty wages by the sale of their honor, is a worshipper of the gold god. The sweater who parcels out his work through the miserable tenement houses, grinding the face of the poor to the very last degree possible with physical existence,—indeed, many times beyond the possibility of existence, except when helped by charity,—is an obsequious devotee at the altar of Mammon.
Source: Gutenberg

Portrait of Louis Albert Banks Louis Albert Banks White Slaves; or, the Oppression of the Worthy Poor

There is no more melancholy sight to my eyes than that which I often see nowadays—the former happy possessor of a shop or store, who has lived comfortably and with the true nobility of a citizen, and whose family have felt the dignity of the home, now made a clerk and drudge in a huge establishment that, by its relentless use of millions, has undermined and overthrown all the independent stores of a large district, while his family are thrust into the unsavory communism of a tenement house, and lose all the delicate refinements of a quiet home.
Source: Gutenberg

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