Olivia Howard Dunbar

Summary

Olivia Howard Dunbar Harper's New Monthly Magazine (1903)

Now from first to last Peire Vidal was no less an actor than a poet; and nothing could better exemplify the audacity that was the readiest expression of his facile temperament than that, arriving unknown, on foot, destitute of the panoply or the attendance of the successful poet, he should—with a quizzical twist of the mouth, perhaps—have sent word to the seigneur that a poet was his guest. It is true that the isolation of the strongholds of the nobility sufficed to make the troubadour invariably welcome and his approach the signal for unstinted hospitality.
Source: Wikisource

Olivia Howard Dunbar Harper's New Monthly Magazine (1903)

It is impossible not to believe that this was still another of his often far-fetched jests.
"Be always suitably dressed," counselled Peire, "but never dandified. Let your garments be well made, and so care for them that they shall seem always new. Have an honest mien. Do not speak too much." Again he says: "Do not condemn other jongleurs. Such critics of their equals have the appearance of low jealousy." And again: "As for you, whatever may be your intellect, your knowledge, or your talents, do not boast of them. Be modest and you will find persons who will help you to succeed."
Source: Wikisource

Olivia Howard Dunbar Harper's New Monthly Magazine (1903)

One was the democracy, extraordinary in a feudal age, of the poet's calling. Was not a poet as good as a prince, and were they not often identical? It was a Count of Poitiers who was the first troubadour, after whom the making of verses not only came to be affected by duke and baron, monk and bishop, but was even practised, with a more than kingly excellence, by that darling of romance, Richard of the Lion Heart.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature