Owen Oliver

Summary

Owen Oliver The Soul Machine (1911)

The band went round, and the spray hissed, and the discs revolved faster and faster.
“Look!” he cried, and pointed to the diaphragm. A spectrum like a many-coloured rainbow shone upon the convoluted slab; and the girl roused to sudden interest.
“What is that?” she asked.
“It is I,” he said, “so far as this kind of diaphragm will represent me; I as I am at this moment; the extraordinary medley of thoughts and feelings that exist even in a comparatively restful mind. The dials show better how restful.”
Source: Wikisource

Owen Oliver The Soul Machine (1911)

There was silence for five minutes, ten; then, for the first time for a fortnight, Myra spoke of her own accord.
“Come and sit beside me,” she said, in a sweet, steady voice, “and—yes, I think you may hold my hands. ... No; you must not kiss me yet. ... Listen! There is a soul machine. It is called love. Souls must save themselves, as you say; but love can show them the way. I learnt that as I sat in the ruined laboratory holding you in my arms.
Source: Wikisource

Owen Oliver The Soul Machine (1911)

I am only a diaphragm.”
“Don't,” he begged hoarsely; “don’t.” He dropped his face in his hands, and his body shook. He was haggard when he looked up.
“Myra,” he said, “it’s no use telling you, because you can’t understand, but I want to say it. The machine shall never be made again. I see now that it was blasphemous folly. We cannot save souls; they must save themselves. Neither can we destroy them. Some day—perhaps after we are both dead, Myra—yours will come back to you; perhaps, in God’s goodness, to mine! Meanwhile I shall be punished enough, Myra.
Source: Wikisource

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