Summary

Portrait of P. G. Wodehouse P. G. Wodehouse My Man Jeeves — Leave it to Jeeves

What Corky kicked at was the way the above Worple used to harry him.
Corky's uncle, you see, didn't want him to be an artist. He didn't think he had any talent in that direction. He was always urging him to chuck Art and go into the jute business and start at the bottom and work his way up. Jute had apparently become a sort of obsession with him. He seemed to attach almost a spiritual importance to it. And what Corky said was that, while he didn't know what they did at the bottom of the jute business, instinct told him that it was something too beastly for words.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse My Man Jeeves — Leave it to Jeeves

Goodness knows there was fuss enough in our family when I tried to marry into musical comedy a few years ago. And the recollection of my Aunt Agatha's attitude in the matter of Gussie and the vaudeville girl was still fresh in my mind. I don't know why it is—one of these psychology sharps could explain it, I suppose—but uncles and aunts, as a class, are always dead against the drama, legitimate or otherwise. They don't seem able to stick it at any price.
But Jeeves had a solution, of course.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse My Man Jeeves — Leave it to Jeeves

Here's the first commission I have ever had to paint a portrait, and the sitter is that human poached egg that has butted in and bounced me out of my inheritance. Can you beat it! I call it rubbing the thing in to expect me to spend my afternoons gazing into the ugly face of a little brat who to all intents and purposes has hit me behind the ear with a blackjack and swiped all I possess.
Source: Wikisource

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