Summary

Portrait of Paul Dickey Paul Dickey The Ghost Breaker: A Novel Based Upon the Play

He turned about and beckoned to Rusty, who with a revolver in hand, his courage restored in a way by the turn of events, disappeared from view. Jarvis gently placed a hand upon the heaving shoulder.
"I'll round up this spook to-night for good and all. Then the vassal's task is done. His fate is in your hands, Highness; what's to become of him?... Don't send me away. I loved you from the first—not like a vassal either—and will always love you.
"I know I'm just a plain American citizen ... and a man. All the man in me cries out, 'I love you!' Don't send me away."
Source: Gutenberg

Portrait of Paul Dickey Paul Dickey The Ghost Breaker: A Novel Based Upon the Play

So, it's Don Robledo—coward!"
The big man snarled.
"Coward—never a coward in a fair fight in the open, and I'll meet the best man that walks the earth." Here he faced the inquisitive and thoroughly awed villagers. "Any two or three!"
He banged the table with his riding-crop to punctuate the emphasis.
"I don't ask you to kill one or two or three of these poor whimpering sheep of Seguro. I ask you to dare something, at risk to yourself. To go to the aid of your Prince.... There isn't a man among you—who dares! Dios! How I could love such a man!"
Source: Gutenberg

Portrait of Paul Dickey Paul Dickey The Ghost Breaker: A Novel Based Upon the Play

He typified the worst of the Spanish folk, even as the young girl did the best. To a keen student of physiognomy the mental attitude of the Duke of Alva would have been an open book. To Maria Theresa, loyal to family and countrymen, he was the symbol of her own strata in Spain—yet, beneath her gracious forgiveness of and enforced indifference to many things, there lurked a latent mistrust, which she had never yet defined in practical, applicable terms.
Source: Gutenberg

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