Paul George Konody

Paul George Konody

Summary

Portrait of Paul George Konody Paul George Konody Dictionary of National Biography… (1912)

In later life Shields neglected that illustrative work for which his gifts eminently fitted him, and devoted himself to more ambitious decorative designs and oil-painting, in which he followed the lead of the Pre-Raphaelites without showing a trace of their romanticism. He was not a great colourist but a sound draughtsman. His later work is cold, formal, didactic and out of touch with actual life, though it is not lacking in loftiness of aim and nobility of design.
Source: Wikisource

Portrait of Paul George Konody Paul George Konody Dictionary of National Biography… (1912)

After spending some time on water-colour work at Porlock and occasionally engraving for 'Once a Week,' Shields established his fame as an illustrator by his designs for Defoe's 'Journal of the Plague Year,' which were engraved in 1863. A water-colour version of his illustration of Solomon Eagle for this work is in the Manchester Art Gallery. In 1865 he was elected associate of the Royal Society of Painters in Water Colours. From 1864 onwards he spent some time each year in London, and there met Dante Rossetti and Madox Brown, as well as Ruskin, Holman Hunt, and Burne-Jones.
Source: Wikisource

Portrait of Paul George Konody Paul George Konody Dictionary of National Biography… (1912)

But his mind was set upon an artist's career, and, largely owing to Holman Hunt's advice, Ms father overcame a rooted objection to his pursuit of art. Philip was soon allowed to work at the British Museum, where he applied himself particularly to drawing from the Elgin marbles. Having entered the Royal Academy Schools, Morris made striking progress, gaining three silver medals for drawing, painting, and portrait. In 1858 he won the gold medal and a travelling studentship which enabled him to visit Italy.
Source: Wikisource

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