“ On the left stretched the long and grey and red and niched and statued façade of the Victoria and Albert Museum, and the failing of the western flush was leaving the sky chill and sharp as steel and the wide traffic-polished road almost of the same colour. ”
Victoria and Albert Museum
Definition and stakes
The Victoria and Albert Museum (V&A), London’s foremost institution for applied arts, design, and decorative arts, holds over 2.8 million items spanning 5,000 years of global craftsmanship. Established in 1852, it emerged from the legacy of the Great Exhibition, emphasizing education and industrial art.
Writers such as John Ruskin underscored its significance in art instruction, while Emily Leigh Lowes pointed out its absence of mandatory lectures, and Fred. W. Burgess commended its exceptional collection of European works. The V&A’s fusion of historical conservation and public involvement solidifies its position as a vital hub for cultural and artistic research.
Quotes about “Victoria and Albert Museum”
David Alexander Edward Lindsay, 1911 Encyclopædia Britannica (1911)
“ There are, however, certain disadvantages in securing both building and collection ready-made, and the special care devoted to museums in Great Britain can be traced to the fact that their cost to the community is considerable. Immense sums have been spent on the buildings alone, nearly a million sterling being devoted to the new buildings for the Victoria and Albert Museum in London. ”
Fred. W. Burgess, Chats on Old Copper and Brass
“ To study all these rival styles at their best the collector, however large his private collection, must perforce visit either one of the more important Continental museums or the Victoria and Albert Museum at South Kensington, where so many cases are filled with Continental works of art in gold, silver, and the baser metals. Local museums rarely possess a selection large enough for comparative purposes. The loan exhibits from the national collection, carefully selected as representative specimens, are very helpful, and many such loan cases strengthen local exhibits and add interest to them. ”
Emily Leigh Lowes, Chats on Old Lace and Needlework
“ Why a continuous course of lectures on this and every kindred Art subject is not made compulsory at the Victoria and Albert Museum is one of the burning questions of the hour among the cultured collectors of the day. The custodians are supposed to be men of special insight in the branches over which they preside, yet for all the advantage to the public they might as well be waxwork dummies. ”
Gardner C. Teall, The Pleasures of Collecting
“ In the Victoria and Albert Museum, South Kensington, London, the museum of the Art Department of Carnegie Institute, Pittsburgh, and elsewhere one may find little wax models that have come down through hundreds of years, and one wonders that Time has lent so kind a hand to things which were constructed of materials that we have regarded as being so perishable. ”
Lady Dorothy Nevill, Leaves from the Note-Books of Lady Dorothy Nevill
“ Whilst in the Wallace Collection England possesses a superlatively excellent collection of French furniture, the finest English furniture of the eighteenth-century period is only to be found in the hands of private collectors. It is much to be deplored that the Victoria and Albert Museum contains no thoroughly representative collection of old English furniture. ”
Grace Christie, Embroidery and Tapestry Weaving
“ W. R. Lethaby for permission to reproduce pieces of their work, and Miss Killick, Colonel J. E. Butler-Bowdon, [Pg xviii] the Viscount Falkland, and the Reverend F. J. Brown of Steeple Aston for permission to reproduce work in their possession. Also I must thank the authorities of the Victoria and Albert Museum for help in various ways, and Mr. J. H. Taylor, M.A. Oxf. ”
Moncure Daniel Conway,
Travels in South Kensington
“ This report and those which followed bore witness that a new enthusiasm had arisen in England for recovering its lost arts; but they increasingly proved also that the collections evoked from their hiding-places were already overflowing Marlborough House. In one sense this overflowing was of signal advantage, for it enabled the department to send a collection of four hundred beautiful specimens as a circulating museum through the provincial cities and towns—a plan which has been maintained by the museum, and also by the National Gallery of Fine Arts, with excellent results. ”
Various, Blackwood's Edinburgh magazine…
“ Even if it were thought desirable to place statues under the same building, we would put them under the direction of a person specially acquainted with sculpture.The interest of the nation has been now awakened with regard to the National Gallery, to the pictures only, to their collection and preservation. A national museum, such as Mr Dyce and others propose, is far too large a subject, to discuss which seriously would be only drawing away the public mind from that which is a pressing necessity. ”
Joel Cook,
England, Picturesque and Descriptive…
“ This is a national museum for art and manufactures allied to art. Its collections are becoming enormous and of priceless value, and include many fine paintings, among them Raphael's cartoons, with galleries of sculpture and antiquities and museums of patent models. There are art-schools and libraries, and the buildings, which have been constructing for several years, are of rare architectural merit. The Royal Albert Hall is a vast amphitheatre of great magnificence devoted to exhibitions of industry, art, and music. ”
Blanchard Jerrold, How to See the British Museum in Four Visits
“ The regulations for the admission of the public have fairly kept pace with the progress of those liberal ideas to which the collection is greatly indebted, and of which it is a monument. It will be interesting for the visitor of to-day, to contrast the rules by which he is admitted, with those that fettered his ancestors of the eighteenth century. In the year 1759, the trustees of this institution published their "Statutes and Rules relating to the Inspection and Use of the British Museum." ”
Margaret Fuller,
At Home and Abroad; Or, Things and Thoughts in America and Europe
“ In the National Gallery one finds a throng of nursery-maids, and men just come from their work; true, they make a great deal of noise thronging to and fro on the uncarpeted floors in their thick boots, and noise from which, when penetrated by the atmosphere of Art, men in the thickest boots would know how to refrain; still I felt that the sight of such objects must be gradually doing them a great deal of good. The British Museum would, in itself, be an education for a man who should go there once a week, and think and read at his leisure moments about what he saw. ”
Louis Fagan, The life and correspondence of Sir Anthony Panizzi…
“ It has been, and doubtless for some centuries to come will be, a matter of regret that the unrivalled collection called the British Museum has not, after the incalculable labour bestowed, and the vast sums of money spent upon it, found a home more worthy of its invaluable contents than the present building. Of this huge pile—an irregular oblong—but little appeals to the eye, less to the power of discussion. The Eastern and Western Wings still remain partially exposed to view in all their normal hideousness of yellow brick, unadorned by aught save a few meagre mouldings. ”
Edward Edwards, Lives of the Founders of the British Museum… (1870)
“ Hamilton, after the manner of Collectors, had scarcely parted with the fine Museum, which he had sold to the Public in 1772, before he began to form another. The explorations of the buried cities gave some favourable opportunities near home, and his researches were spread far and wide. In amassing vases he was especially fortunate. And, in that particular, his second Collection came to surpass the 357first. He became anxious to ensure its preservation in integrity. ”
G. E. Mitton, The Kensington District
“ Queen Victoria's connection with Kensington did not cease at her accession. At Prince Albert's suggestion a great Exhibition was held in 1851, and the huge palace of glass and iron, which was to house it, sprang up in the Gardens at the spot where the Albert Memorial now stands. Foreigners from all parts of the world visited the Exhibition, and the buildings were crowded. Very different was that crowd from that which had promenaded in the Gardens in the reigns of the Georges. ”
Julian Street,
Abroad at Home: American Ramblings…
“ Those who control the Albright Gallery have been wise enough to specialize in modern American painting. They have not been impressed, as so many Americans still are impressed, by the sound of the word "Europe." Nor have they attempted to secure old masters.Does it not seem a mistake for any museum not possessed of enormous wealth to attempt a collection of old masters? A really fine example of the work of an old master ties up a vast amount of money, and, however splendid it may be, it is only one canvas, after all; and one or two or three old masters do not make a representative collection. ”
William Dean Howells,
Roman Holidays, and Others
“ The museum which is ultimately to be the greatest of its kind in the world, already contains somewhere in its raw inaccessible recesses the collections made by Prince Albert in his many cruises, and is of a palatiality worthy of a sovereign with a tenant so generous and prompt in its rent as the Administration of the Casino of Monte Carlo. ”
Edward Edwards, Lives of the Founders of the British Museum… (1870)
“ The Government would, doubtless, lose no time in providing a proper building for the reception of such collections as are to be removed from the Museum; until this removal has taken place, no redistribution of the vacated space can be undertaken; but the new structures proposed to be erected on ground now unoccupied ought to be proceeded with at once, that they might be rendered available as speedily as possible. ”
Edward Edwards, Lives of the Founders of the British Museum… (1870)
“ Most of the objects which it contains have no affinity with those which are contained in the other parts of the Museum, nor is the collection worthy of this country for its extent, nor yet, owing to its exceptional character, is it brought together in a methodical and instructive manner. Occupying but a secondary place in the British Museum, it cannot obtain either the space or the attention which it might obtain, were it not surrounded and cast into the shade by a vast number of splendid and interesting objects which have irresistible claims to preference. ”
John Ruskin,
On the Old Road Vol. 1 (of 2…
“ For the first time in the history of the world, a national museum is formed in which a whole nation is interested; formed on a scale which permits the exhibition of monuments of art in unbroken symmetry, and of the productions of nature in unthwarted growth,—formed under the auspices of science which can hardly err, and of wealth [Pg 246] which can hardly be exhausted; and placed in the close neighborhood of a metropolis overflowing with a population weary of labor, yet thirsting for knowledge, where contemplation may be consistent with rest, and instruction with enjoyment. ”
Robert Wilson, The Life and Times of Queen Victoria…
“ The Queen promptly ordered the Royal Collections to be put at the disposal of the Exhibition. The Prince Consort suggested a plan for appealing to private collectors which had the desired effect. He said that collectors of rank would not shrink from refusing to lend works of Art when it was widely known that their refusal might mar a national purpose; and he advised the appeal to be based on the fact that though England invested more money in Art than any other country, she had done less than any other for Art education, which such an exhibition might easily be made to promote. ”
Emily Constance Baird Cook, Highways and Byways in London
“ It is not only in shops that we in England have to learn how to "dress our windows." But at any rate, no one will deny that we have of late made enormous advances in the art.Nevertheless, the beauty and grandeur of the British Museum collections, beauty on which I have already touched in the Bloomsbury chapter, impress us in spite of fog, and grime, and dull London galleries. And the feeling for the suitable arrangement and disposal of our artistic treasures grows upon our directors year by year. ”
Edward Edwards, Lives of the Founders of the British Museum… (1870)
“ But in treating of it—in the ‘Postscript’ which closes the present volume—it has been my single and earnest aim to state, with the utmost impartiality I am able to attain, the leading arguments for maintaining the Museum in its full integrity; and also the leading arguments for severing the great Natural History Collections 17from the rapidly growing Libraries and from the vast Galleries of marbles, bronzes, pottery, medals, and prints. It is the business of writers to state and marshal the evidence. It is the business of Parliament to pronounce the judgment. ”
John Ruskin,
Arrows of the Chace, vol. 1/2
“ After men have learnt their science or their art, at least so far as to know a common and a rare example in either, a national museum is useful, and ought to be easily accessible to them; but until then, unique or selected specimens in natural history are without interest to them, and the best art is as useless as a blank wall. For all those who can use the existing national collection to any purpose, the Catalogue as it now stands is amply sufficient: it would be difficult to conceive a more serviceable one. ”
Margaret Talbot Jackson, The Museum (1917)
“ It is never under any circumstances, however, justifiable to treat an object of art and one worthy of a place in a museum as though it were a part of the decoration of the museum. It may by its nature be a decoration to the room, but it must be so arranged that for light and for space and for general effect it is shown to its best advantage. To cut a piece of sculpture, a painting or a tapestry, as a layman might do, to make it fit a given spot in a museum is to commit a crime. ”
Edward Huntington Williams, A History of Science — Volume 5
“ Since then these collections, with additions of similar character, have formed by far the most important feature of the British Museum. But in the mean time archaeology has become a science. Within recent years the natural history collection has been removed in toto from the old building to a new site far out in South Kensington, and the casual visitor is likely to think of it as a separate institution. The building which it occupies is very modern in appearance as in fact. ”
Moncure Daniel Conway,
Travels in South Kensington
“ Some collections, originally received as loans, it is pretty certain will never be removed; and I am assured by the director that the museum has been notified of being remembered in many wills. This gentleman, Sir Philip Cunliffe Owen, and his predecessor, Sir Henry Cole, said to me, in conversation about the prospect of building museums in the American cities, that they had no doubt such institutions, if good and safe buildings were erected, would there as well as here find themselves centres of gravitation for the art treasures and curiosities owned by the community around them. ”
Edward Edwards, Lives of the Founders of the British Museum… (1870)
“ The size of the rooms gives ample space for the public exhibition of Antiquities, including statues, not much less than life-size, if necessary; whilst the galleries, though lofty, will not dwarf them. Competent critics have pronounced that it is a mistake to suppose that all sculptures look better in magnificent rooms. The solidity of the Museum building, throughout, leaves no doubt of its upper floor being strong enough to receive ordinary marble statues, not to speak of busts and smaller objects. ”
David Alexander Edward Lindsay, 1911 Encyclopædia Britannica (1911)
“ But in many museums the chief hindrance to study and enjoyment is overcrowding of exhibits. Although a truism, it is necessary to state that each object should be properly seen, cleaned and safeguarded; but all over the world this rule is forgotten. The rapid acquisition of objects is one cause of overcrowding, but a faulty appreciation of the didactic purpose of the collection is more frequently responsible. In Great Britain, museum progress is satisfactory. ”
Margaret Talbot Jackson, The Museum (1917)
“ If, for instance, there is already in existence in the city some collection which with proper tact may eventually come to the museum, it is the duty of the committee to plan the collection which they are to buy in such a way that it will not cover the same field. But the existence of private or other collections is not the only thing to be considered. There are two ends in view in adding the museum to the educational equipment of a city. One is the development of a high class of artisans producing a more artistic grade of manufactures. ”
Edward Edwards, Lives of the Founders of the British Museum… (1870)
“ When it happens that the spirit of the Earl meets his rank and his duties, we have the best examples.... These are the men who make England that strong-box and Museum it is; who gather and protect works of art, dragged from amidst burning cities and revolutionary countries, and brought hither, out of all the world.... When I saw that, besides deer and pheasants, these men have preserved Arundel Marbles, Townley Galleries, Howard and Spencer Libraries, Warwick and Portland Vases, Saxon Manuscripts, Monastic Architectures, and Millenial Trees, I pardoned their high park-fences.’ ”
