Blanchard Jerrold

“ Curious thoughts crowd in every busy brain, before these strange relics. Lost in the depths of the past, the mind, with a leap, often grasps at the future; and men will be found seriously saying to themselves, as they notice how we depend for our knowledge of ancient Egyptian fabrics upon the shrouds of ancient Egyptians,—what, if we looked forward, and in the remote centuries that are rolling toward us, see all our vast and busy Lancashire some layers underground, and archaeologists busy with our winding sheet! ”

“ The frieze of the Parthenon and the dramas of Sophocles, the forms of the marble and the conceptions of the great poet, still speak to our imagination and our understanding: we recognise, in both, the beauty of proportion, the simplicity and truth of design; and we all assent to a standard which we feel to be in harmony with nature, and to which all nations will yield a more ready obedience than to any other that we can name. ”

“ And then, taking this revealed book of the past in his hand, how a man may sit and ponder on all that is to be—dream of times when some future geological hammer will be rapping at the clay about the stone relics of his bones, and a man will gaze upon his hardened anatomy with a mild and holy joy—when all that breathes and moves to-day will be entombed in ancient strata of the earth, and busy life will be carried on a hundred feet above the ruins of the present. ”

“ The story of human life is revealed in other records, if not in the sepulchral strata of the earth's crust. In this very Museum, which the visitor now treads—in these cases of fossil bones which in themselves are common material enough, the lordly intellect that has traced their deep significance, proves that, of all animal types, man is the highest and the strongest—removed from the most powerful mammoth and megatherium—the bones of which he has re-fixed, that they may, as stones, tell the story of their wonderful characters when alive. ”

“ These thoughts towards nature, towards the marvellous records of an antiquity, the remoteness of which we cannot realise, will rise to the minds of all visitors who can see in the vast collection of animal life through which we have guided them, revelations of the endless forms and the endless beauties that pass often unnoticed, because not understood, under every step that man takes in the many journeys that lie between his hopeful cradle and his inevitable grave. ”

“ Stone masons' chisels, and fine edged weapons of war, were made of bronze in those days. The collection of bronzes which the visitor is now about to examine, cannot be said to be a perfect collection; yet it contains some beautiful specimens, and one that is said to be the finest bronze in Europe. The antiquarian pauses with delight before these marvellous specimens of ancient skill; and reflecting upon the difficulties which beset the caster in bronze, it is astonishing to see the precision and the exquisite finish with which the artists of ancient Greece and Rome performed their labours. ”

“ That thousands of lives were spent, year after year, in the production of the vast monuments which now lie scattered in confusion about the valley of the Nile is certain; and some men contemplate this large expenditure of human muscle upon these rude masses, with a gentle melancholy that is not altogether called for. There was a spirit in the work that made it noble. And here it is well that the visitor shall see the opinion of a man whose conclusions were based upon profound erudition in his art, on the subject of ancient Egyptian art, artistically viewed. ”

“ A man with a stern soul, an eye large and grand, a frame built to realise the soul's tasks—we see this Phidias of the Greeks as he hovered about the foundations of the Parthenon, when the name of Pericles was every Greek's watchword, four centuries and a half before our Christian era. The man appears to have been of colossal parts in every way. Versed in history, a poet given to study fables (as all poets are) , keen in sifting the subtleties of geometry, a passionate reader of Homer; this was indeed the sculptor of the gods! ”

“ Religion tames the savage; Paganism makes him a crouching sensualist; the Egyptian sees a God in the stars of heaven; and then the mathematician, the musician, the poet, and the painter set to work, and these prophets of mysterious beauties realise civilised mankind. The visitor enters the museum, after ascending a noble flight of steps, by a massive carved oak door, into a fine entrance hall, the ceiling of which is highly coloured, and the general decoration of which is Grecian Ionic. ”

“ Few have the courage and the enthusiasm to follow each footstep of the tiny ant at his complex labours,—few are the Hubers that dwell among us; but to us all is given the love of that knowledge which opens our eyes to a few of the mysteries that lie thickly on our path, in the formation of the gravel upon which we tread, the clouds that grandly glide above us, and the leaves that gather upon the trees. After all the labours of our learned men, we are only now pressing, with trembling footsteps, the avenue to the endless schemes, and systems, and wonders, that lie buried in and about our world. ”

“ Proudly men of the passing century look back upon all this worship of animals, upon the Egyptian Anubis, and the intestine genii with their animal heads; but even here, in this field of speculation, where the historian's hand wanders unsteadily about his page, and all wears a mythical air, pulses of human emotion are felt that assure us of the remote past. ”

“ No work of the present time is ever universally admitted as an indisputable standard. It is only when time has placed an interval between the present and the past, wide enough to destroy all the rivalries of competition; that great works receive the full acknowledgments of their merits, and become standards to which we all appeal. Thus in the art of writing our own language, we refer to the best models of past instead of to the works of our own days; and our youth at school are chiefly trained on the written models of Greece and Home, instead of those of our own country. ”

“ From the confusion he may gather something that shall not be altogether a useless subject for reflection as he wanders homewards. He may link himself with the remote past, recognise the elements of modern society in these stone revelations of the remote history of the world, feel the vibration of the great human heart coming to him even from the bowels of Egypt's pyramids. ”

“ Still let all who enter our museum, go there with the resolve to accomplish something by their visit. Even in the common concerns of life; in the petty matters that wear away the brain at last; in the market-places of the world, this insight is not without its effect. The heart is humbled as the eyes open to the grandeur of the scheme, and to the consequent littleness of individual manhood ”

“ It does all of us good to think often of what has been, and to dream of the future to which we are driving "down the ringing grooves of time"—to think sometimes of the fine people who had their glorious days, when London was distributed, untouched by human hands, in clayey strata, and remote stone quarries; and hereabouts, to the minds of the Greeks, lay the islands of the blessed. ”

“ The delicacy of their structure, the splendour of the colours in which they are habited, their poetical diet, and the impossibility of keeping them alive in a confined state, are the attributes of delicacy and beauty which have made them objects of interest to all persons who have any insight to the mysterious graces of animal organisation. So brilliant is the plumage of some of the varieties, that they have been named after gems: thus, in the case before which the visitor has arrived, he will find the garnet-throated humming bird, and the topaz humming bird. ”

“ In the cases, ranged together in the saloon, the visitor who feels interested in the infinite varieties of coral formation, will find specimens that-will give him a full idea of the architectural abilities of the active zoophytes that carry on their operations upon the rocks that lie not far below the surface of the ocean. From the coral tables, the visitor's way lies out of the Mammalia Saloon to the north, into a gallery of which all Englishmen who understand the value of a perfect museum, are justly proud. ”

“ The lessons that lie in these indistinct, disjointed revelations of the remote past, are pregnant with matter for earnest thought to all men. They are part of our history—links that hold us to the sources of things, and recall us again and again to the condition of our universe, as it trembled into space, and as now we inhabit it—a great and marvellous globe, every grain of which has an unfathomable story in it. Philosophers have laboured long at the story of the earth ”

“ Of the high estimation in which the sculptures of the Parthenon should be held, it is superfluous to say more than all writers on art have agreed in saying. Here we have master-pieces, beyond which the sculptors of the many ages that have passed away since Phidias laboured at his Jupiter in the Olympian grove have never reached. High praise this to say of a man who has been twenty-two centuries in his grave, that he accomplished in the utmost perfection those ideals to which his imitators have vainly aspired. ”

“ The western wall case is filled with a curious collection of various fossil parts of an extinct species of rhinoceros found in this country, also skulls of the rhinoceros dug up in Siberia. There is something impressive in the effect—the atmosphere of this and the sixth rooms. As crowds of holiday people, inhabitants of an island in which no dangerous living animals now abide, wander amid the fossil remnants of ages when the most terrible monsters must have lived in British waters and crawled upon British ground, curious contrasts rise in the brains of contemplative men. ”

“ The first Victory is kneeling upon a bull which she is about to sacrifice; and the second also is kneeling upon, and about to stab, a bull. Then a fine bust of a laughing satyr will arrest the attention of the visitor; then a colossal foot in a sandal, under the front of a sarcophagus; then the votive torso, supposed to be that of an Athelete; then a red marble swan found in a vineyard near the Villa Pinciana; then a terminal statue of a satyr; then a bust of Diogenes; then a bust, conjectured to be part of the figure of a dying Amazon; then a bust of Atys. ”

“ The mind wanders back to the age of reptiles—to times when no human footprint had sunk into the earth—and the great agents of nature were silently depositing in the congregating and shifting earths dead images of the prevailing life. ”

“ The sculpture which adorns the graves of modern races in this country, generally represents urns, or weeping cherubims, broken flowers, or fractured columns, or grieving angels. These symbols of death and grief contrast often oddly with the hopeful scriptural sentences which they surmount. In some instances the occupation or calling of the deceased is typified on his tomb—the unstrung lyre telling the whereabouts of a dead musician; and a palette indicating the resting-place of a defunct painter. Little that is great in sculpture has of late marked burial-places. ”

“ Crowds of all ranks and conditions besiege the doors of the British Museum, especially in holiday times, yet the skeleton of the elephant is spotless, and the bottled rattlesnakes continue to pickle in peace. The Elgin marbles have suffered no abatement of their marvellous beauties ”

“ The artistic excellencies of these relics of a remote civilisation have been so frequently explained to the public, and their beauties are so generally felt, that it suffices to introduce the general visitor to the room, and to guide him about it, without bidding him halt to learn the estimation set upon these works by great art authorities. After he has received the natural impression which these works cannot fail to produce on his mind, he may wish to know something of the times and men which these represent; he may be glad to learn so much as is known of Phidias. ”

“ The kingfisher at times startles the English pedestrian when he is sauntering near a high-banked brook;—its gaudy plumage contrasts so forcibly with the sober tints of our English song birds, that he is at first inclined to take the gay fellow for a truant cage bird. But the fisher is quite at home, and is probably diving for his fish dinner. The kingfishers grouped in the two cases before which the visitor now stands, include specimens of the Australian brown kingfisher; the green and great jacamars of South America; the European bee eater ”