Wallace Collection

Definition and stakes

John Forbes White and Paul George Konody,  1911 Encyclopædia Britannica (1911)

“ One wonders who the beautiful woman can be that adorns the Wallace collection, the splendid brunette so unlike the usual fair-haired female sitters to Velazquez. She belongs to this period of his work, to the ripeness of his middle period. Instinct with life, her bosom seems to heave and the blood to pulsate through her veins. The touch is firm but free, showing the easy strength of the great master. ”
Source: Wikisource

Franklyn Arden Crallan,  1911 Encyclopædia Britannica, Volume 28… (1911)

“ The extraordinary delicacy and minuteness of detail of this microscopic work baffle description. There is another such a piece, also Flemish, in the Wallace collection which rivals that just referred to in misapplied talent. For, marvellous as these works of art are, they fail to satisfy. They make one’s eyes ache, they worry one as to how the result could ever have been obtained, and after the first astonishment one must ever feel that the same work of art on a scale large enough for a cathedral could have been carved with half the labour. ”
Source: Wikisource

1911 Encyclopædia Britannica, Volume 28… (1911)

“ At Paris he was well known in society, and became an assiduous collector of all sorts of valuable objets d'art, but in 1857 these were sold and Wallace devoted himself to assisting the fourth marquess, who left London to reside entirely in Paris, to acquire a magnificent collection of the finest examples of painting, armour, furniture and bric-à-brac. In 1870 the marquess of Hertford died unmarried, bequeathing to Wallace an enormous property, including Hertford House and its contents, the house in Paris, and large Irish estates. ”
Source: Wikisource

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