Summary

Portrait of Edgar Wallace Edgar Wallace Bones in London — CHAPTER II.—HIDDEN TREASURE (1921)

Bones had schemes which embraced every field of industrial, philanthropic, and social activity. He had schemes for building houses, and schemes for planting rose trees along all the railway tracks. He had schemes for building motor-cars, for founding labour colonies, for harnessing the rise and fall of the tides, he had a scheme for building a theatre where the audience sat on a huge turn-table, and, at the close of one act, could be twisted round, with no inconvenience to themselves, to face a stage which has been set behind them.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace Bones in London — CHAPTER II.—HIDDEN TREASURE (1921)

It'll be good for you, dear old stenographer."
She looked at him.
"I have decided," said Bones, playing with his paper-knife, "to allow you a commission of seven and a half per cent. on all profits. Seven and a half per cent. on two million is, roughly, fifty thousand pounds——"
She laughed her refusal.
"I like to be fair," said Bones.
"You like to be generous," she corrected him, "and because I am a girl, and pretty——"
"Oh, I say," protested Bones feebly—"oh, really you are not pretty at all. I am not influenced by your perfectly horrible young face, believe me, dear old Miss Marguerite.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace Bones in London — CHAPTER II.—HIDDEN TREASURE (1921)

He is not the kind of lad that you can work with a woman, not if she's as pretty as paint."
"What do they call him?" asked Morris.
"Bones," said Webber, with a little grin. "At least, he has letters which start 'Dear Bones,' so I suppose that's his nickname. But he's got all the money in the world. He is full of silly ass schemes, and he's romantic."
"What's that to do with it?" asked Job Martin, and Webber turned with a despairing shrug to Morris.
"For a man who is supposed to have brains——" he said, but Morris stopped him with a gesture.
Source: Wikisource

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