Summary

Portrait of Paul Laurence Dunbar Paul Laurence Dunbar The Heart Of Happy Hollow — The Lynching Of Jube Benson (1904)

Someone cut the rope and Jube dropped lifeless to the ground.
"'Oh, my Gawd, he's daid, he's daid!' wailed the brother, but with blazing eyes he brought his captive into the centre of the group, and we saw in the full light the scratched face of Tom Skinner—the worst white ruffian in the town—but the face we saw was not as we were accustomed to see it, merely smeared with dirt. It was blackened to imitate a Negro's.
"God forgive me; I could not wait to try to resuscitate Jube. I knew he was already past help, so I rushed into the house and to the dead girl's side.
Source: Wikisource

Portrait of Paul Laurence Dunbar Paul Laurence Dunbar The Heart Of Happy Hollow — The Lynching Of Jube Benson (1904)

This was rather a strange conclusion for a young man to arrive at, and I will not deny that the presence in the house of my host's beautiful young daughter, Annie, had something to do with my decision. She was a beautiful young girl of seventeen or eighteen, and very far superior to her surroundings. She had a native grace and a pleasing way about her that made everybody that came under her spell her abject slave. White and black who knew her loved her, and none, I thought, more deeply and respectfully than Jube Benson, the black man of all work about the place.
Source: Wikisource

Portrait of Paul Laurence Dunbar Paul Laurence Dunbar The Heart Of Happy Hollow — The Lynching Of Jube Benson (1904)

A false education, I reckon, one false from the beginning. I saw his black face glooming there in the half light, and I could only think of him as a monster. It's tradition. At first I was told that the black man would catch me, and when I got over that, they taught me that the devil was black, and when I had recovered from the sickness of that belief, here were Jube and his fellows with faces of menacing blackness.
Source: Wikisource

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