Percival Pollard

Summary

Percival Pollard The Imitator: A Novel

That is what I mean when I say that science fails us at the most important point of all; the soul of my neighbor is as profound a mystery to me as the soul of a man that lived a thousand years ago. I can know your face, Luke, your clothes, your voice, the outward mask you wear; but—can I reach the secrets of your soul? No. And if we cannot know how others feel and think, how can we say we know the world? Bah! The world is a realm of shadows in which all walk blindly. We touch hands every day, but our souls are hidden in a veil that has not been passed since God made the universe.
Source: Gutenberg

Percival Pollard The Imitator: A Novel

The horseshoe-shaped space that held the audience glittered with babble and beauty as Orson Vane took his seat in the stalls. The presence of the smart set gave the theatre a very garland of charm, of grace, and of beauty's bud and blossom. The stalls were radiant, and full of polite chatter. The boxes wore an air of dignified twilight,—a twilight of goddesses. The least garish of the goddesses, yet the one holding the subtlest sway, was Jeanette Vanlief. She sat, in the shadow of an upper box, with her father and Luke Moncreith.
Source: Gutenberg

Percival Pollard The Imitator: A Novel

All arts are imitative, except music, and music is not human enough for me; no people are so unhuman as musical people, and no art is so entirely a creation of a self-centred inventor. There can be no such thing as realism in music; the voices of Nature can never be equalled on any humanly devised instruments or notes. Painting and sculpture are mere imitations of what nature does far better. When you see a beautiful woman as God made her you do not care whether the Greeks colored their statues or not. Any average sunset stamps the painted imitation as absurd.
Source: Gutenberg

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