Anatole France

Anatole France

Summary

Portrait of Anatole France Anatole France,  A Mummer's Tale

“ I myself, in La Vivandière d'Austerlitz, staggered the house by my gaiety of tone, when I had just been informed that my Doulce, so great an artist and so good a husband, had had an epileptic fit in the orchestra at the Odéon, just as he was picking up his cornet."
"Why do they insist on my being nothing but an ingénue?" inquired Nanteuil, who wanted to play the woman in love, the brilliant coquette, and every part a woman could play.
"That is quite natural," persisted Madame Doulce. "Comedy is an imitative art; and you imitate an art all the better for not feeling it yourself."
”
Source: Gutenberg

Portrait of Anatole France Anatole France,  A Mummer's Tale

“ A thing may have been accomplished millions of years ago, yet if it makes the strongest possible impression upon us it will not be for us a thing of the past; it will be present. The order in which things revolve in the depths of the universe is unknown to us. We know only the order of our perceptions. To believe that the future does not exist, because we do not know it, is like believing that a book is not finished because we have not finished reading it."
The doctor paused for a moment. And Nanteuil, in the silence which followed, heard the sound of her heart beating.
”
Source: Gutenberg

Portrait of Anatole France Anatole France,  A Mummer's Tale

“ Still unaware that all things fall into oblivion, and are lost in the swift current of our days, that all our actions flow like the waters of a river, between banks that have no memory, she pondered, irritated and dejected, at the feet of Jean Racine, who understood her grief.
"Just look at her," said Madame Marie-Claire to young Delage. "She wants to cry. I understand her. A man killed himself for me. I was greatly upset by it. He was a count."
"Well, begin again!" shouted Pradel. "Come now, Mademoiselle Nanteuil, your cue!"
”
Source: Gutenberg

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