Philip Curtiss

Summary

Philip Curtiss The Mucker Pose (1921)

There are enough people in the world who really do enjoy bad music, bad art, and bad literature, without people who should know better studiedly affecting to enjoy them. Yet that is what happens to-day. I, personally, do not enjoy jazz—the incessant, nerve-racking rhythms which make up a typical restaurant concert. I have no wish to abolish them. I do not object to others enjoying them. I simply do not like them myself and cannot pretend that I do, yet that is what the mucker pose requires that I must do.
Source: Wikisource

Philip Curtiss The Mucker Pose (1921)

If a gentleman or a man of sensitive habits of thought were introduced as the hero it must be only to show how, at the climax of the story, he "found himself" by winning a street fight or by "making good" as a commercial traveler.
"Give the public what it wants, and let us want it too," is the artistic slogan of the mucker pose, but on his own ground the amateur mucker is no match for the genuine mucker. In life as in art no one is quicker to spot the amateur mucker than the genuine mucker and for no one has he more contempt. He has far more respect for the genuine highbrow.
Source: Wikisource

Philip Curtiss The Mucker Pose (1921)

As a social manner, the mucker pose is not in itself alarming. If a man wishes to give, superficially, the impression that he is a tout or a bookmaker, or if a woman actually wishes to have people believe that she finds herself more at home among illiterates than among educated persons, that is his or her own affair. What is more insidious and more reprehensible is the manner in which the mucker pose has become a popular viewpoint in American art and intellectual life.
Source: Wikisource

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