Summary

Phyllis Bottome The Derelict (Bottome, Century Magazine… (1917)

Ives a small green flap of land runs out into the sea. It is known as the Island, and beyond it the coast spreads, bleak and wild, free of bungalows and railway lines, a land of elfin enchantment, meager and rock-strewn, the haunt of old secrets, a dumb, close-lipped companion of the sea.
Geoffrey had chosen his studio in one of the narrow, cliff-like streets overlooking the Island. He told Fanny by a post-card when he expected her, and when she came he painted her. He was the type of man who, in being agreeable to one woman, is likely to be disagreeable to all the rest.
Source: Wikisource

Phyllis Bottome The Derelict (Bottome, Century Magazine… (1917)

Funny what a lot of starch that puts into things, is n't it?"
Geoffrey did not answer; he saw no reason why he should discuss the disabilities of the moral law with Fanny.
After they had had tea, he asked her how she liked St. Ives. Fanny stood at the window looking out over the bay.
"Oh, I like it all right," she said at last. "I 've always liked the sea: it keeps going all the time. Funny these roofs are; they look for all the world like the sea-gulls' wings."
Source: Wikisource

Phyllis Bottome The Derelict (Bottome, Century Magazine… (1917)

There was no resentment in her voice, and no irony; only a certain inconsequent friendliness.
It occurred to Geoffrey that he had n't been very pleasant to Fanny. He had never asked her if she was comfortable in her lodgings or how she was or whether she liked St. Ives. He had determined from the first only to use her as a model, but he might have been more civil. The way of transgressors is hard, but the virtuous sometimes make their pathways harder still.
Source: Wikisource

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