Phyllis Bottome, The Derelict (Bottome, Century Magazine… (1917)
“ Emily was quite sure that Geoffrey's work had improved; she liked his pictures better herself. A certain queerness in them had evaporated lately, something which made them unlike the pictures of anybody else; and, besides, he had had the great incentive of her love. She smiled reassuringly upon Marcel Dupin. It is a mistake to imagine that Frenchmen flatter upon a question of fact; it is only in the region of fancy that they allow themselves to evade the rigor of perfect accuracy. Marcel's light eyes fixed themselves with a certain hardness upon Emily's vague, gray ones. ”
