Phyllis Bottome

Biographical details

Phyllis Bottome,  The Second Fiddle

“ The things that matter most are always behind what anybody sees. Even all this beauty isn't half as beautiful as what's behind it—the spirit of the life that creates it, and brings it back again."
"And the ugliness," asked Julian, steadily, "the ugliness we've just been talking about over there, that long line of it cutting through France like a mortal wound, drawing the life-blood of Europe,—what's behind that?"
"Don't you see?" she cried, leaning toward him eagerly. "Exactly the same thing—life! All this quietness that reproduces what it takes away, only always more beautifully.
”
Source: Gutenberg

Phyllis Bottome,  "Broken Music" (1914)

“ None of these things did Jean dream of, as out of the grey evening the lights of Paris broke, wave after wave of them, through the curtain of rain, like handfuls of splendid jewels prodigally flung into colourless mud. And with the lights came the sound—the sound of Paris, which is so different from the soft, dull roar of London or the sharp, hysterical scream of New York, the sound that is pitilessly light and infinitely gay—the voice of Paris, which is like the laughter of a heartless woman mocking at a life she has wrecked. ”
Source: Gutenberg

Phyllis Bottome,  The Dark Tower

“ It seemed to her that in Lionel Drummond she would find a perfect spiritual counterpart. She dreamed of a friendship with him too deep for mere friendliness, too late for accepted love; and it seemed to her exactly the kind of thing she wanted. Hand in hand they would tread the path of duty together, surrounded by a rosy mist.
They might even lead Winn to higher things; but at this point Estelle's imagination balked. She could not see Winn being led—he was too truculent—and he had never in his tenderest moments evinced the slightest taste for higher things.
”
Source: Gutenberg

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