Phyllis Bottome

Summary

Phyllis Bottome "Mademoiselle l'Anglaise" (1916)

And all the brilliant, sunny months of May and June Gervase was good!
"He is like a little boy on the eve of his first communion," the concierge remarked to the friendly Americans. "It is a goodness so spotless that one wonders if even the good God is not a little relieved when a smut falls. It is like this weather that never breaks—a peace before a storm."
It was a hot night in July when the storm broke. The moon rose early and flooded all the quarter; it flooded the studio of Monsieur Gervase and made him as mad as his light heart.
Source: Wikisource

Phyllis Bottome "Mademoiselle l'Anglaise" (1916)

Mademoiselle l'Anglaise sat down in an old, black oak chair; against it her hair looked like sunshine above pine-trees.
"I don't like drawing from the life," she asserted calmly.
Gervase flung enraged hands above his head.
"Mademoiselle," he cried, "it is an infamy! You have no business here at all; you should reside in a convent on the top of a mountain, where nothing passes but the sunset and the dawn. This is an outrage to art. You do not love the figure! You do not wish to draw from life! What, then, do you wish to draw from? You are not, one sees, a Futurist or an Imagist
Source: Wikisource

Phyllis Bottome "Mademoiselle l'Anglaise" (1916)

Every one supposed she would go back to her country; there was still time. And day by day France moved. There were four unforgetable days when Paris shot to and fro like a piece of complicated machinery let loose from control. Up and down, to and fro, tore the motors—gray army motors, civil-service motors, interminable, heavy-laden stores; and regiments, red-tunicked, blue-coated, white with dust, streamed interminably toward an unknown goal.
People stretched along the pavements in serried ranks, and jostled death in the streets.
Source: Wikisource

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